George Lewis, Elmer Talbert, Jim Robinson, Alton Purnell, Lawrence Marrero, Joe Watkins, Alcide "Slow Drag" Pavageau's ' "Jerusalem Blues" was released on its scheduled release date, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Lewis's "George Lewis "Jam Session" The Complete Recordings Issued for the First Time" album is number 10 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, Jerusalem Blues's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Jerusalem Blues by George Lewis, Elmer Talbert, Jim Robinson, Alton Purnell, Lawrence Marrero, Joe Watkins, Alcide "Slow Drag" Pavageau to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Am I Blue (Live) | Naomi & Her Handsome Devils | A♭ Major | 4 | 4B | 90 BPM | ||
| Till We Meet Again | George Lewis, PT Stanton, Dick Oxtot, Leias Sharpton, Barbara Dane | A♭ Major | 4 | 4B | 180 BPM | ||
| Jamaica Jam - Version 2 | Teddy Powell | F Minor | 4 | 4A | 109 BPM | ||
| Royal Garden Blues | Michael Gamble & The Rhythm Serenaders | G Minor | 2 | 6A | 182 BPM | ||
| In the Sweet Bye and Bye | George Lewis, Kid Thomas | C Major | 6 | 8B | 111 BPM | ||
| Blues for Nina | Evan Christopher, Koen De Cauter, David Paquette | D Major | 3 | 10B | 169 BPM | ||
| Harlem Holiday | Vince Giordano And The Nighthawks | F Major | 5 | 7B | 193 BPM | ||
| God Will Take Care of You | George Lewis | F Major | 2 | 7B | 101 BPM | ||
| Ory's Creole Trombone | Kid Ory, Kid Ory Creole Jazz Band | F Major | 5 | 7B | 105 BPM | ||
| Because of You / Shanghai / Tulips and Heather | Charlie Kunz | B♭ Major | 1 | 6B | 165 BPM | ||
| Indian Love Call | Jim Robinson, Kid Thomas, Ernie Cagnolatti, De De Pierce | E♭ Major | 3 | 5B | 120 BPM | ||
| The Gramophone Gambit | The Temporal Orchestra | F Minor | 4 | 4A | 119 BPM | ||
| Muskrat Ramble | Sidney Bechet's Blue Note Jazzmen | A♭ Major | 5 | 4B | 180 BPM | ||
| Tin Roof Blues | George Lewis | C Minor | 2 | 5A | 111 BPM | ||
| Papa dip | Louisiana Blues Band | F Major | 5 | 7B | 109 BPM | ||
| Shunk Shank | John Lindberg, George Lewis, Barry Altschul | F Major | 1 | 7B | 135 BPM | ||
| Careless Love | George Lewis | E♭ Major | 3 | 5B | 105 BPM | ||
| Fish Market | Roy Eldridge | C Minor | 4 | 5A | 125 BPM | ||
| Dinah | Monty Sunshine's Jazz Band | C Major | 4 | 8B | 95 BPM | ||
| Struttin' blues - Remastered 1988 | Leona Williams | F Major | 1 | 7B | 120 BPM | ||
| Going Out The Back Way | Johnny Hodges & His Orchestra | B♭ Minor | 3 | 3A | 154 BPM | ||
| Embraceable You | Pee Wee Russell | F Major | 1 | 7B | 88 BPM | ||
| Sister Kate | Firehouse Five Plus Two | E♭ Major | 2 | 5B | 102 BPM | ||
| Deed I Do | Herb Hall, Don Ewell | A♭ Major | 2 | 4B | 94 BPM | ||
| Scrape | Muhal Richard Abrams, George Lewis, Roscoe Mitchell | F Major | 0 | 7B | 101 BPM |