On February 3, 2022, the song "Tabla Solo Part 02" was released by Umesh Parmar. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Tabla Solo Part 02's duration is considered a little bit shorter than the average duration of a typical track. Since Tabla Solo Part 02 only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Tabla Solo Part 02 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tabla Solo Part 02 by Umesh Parmar having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aurora | Amritanshu Dutta, Megha Rawoot | A Minor | 3 | 8A | 110 BPM | ||
| Raga Des Bhajan | G.S. Sachdev | F Major | 2 | 7B | 119 BPM | ||
| Harijan Sāchā Re | Moksha Melodies | E Minor | 3 | 9A | 75 BPM | ||
| Vindaloo | Downing And Mayer | F♯ Major | 5 | 2B | 133 BPM | ||
| Raag Yeman | Pawan Krishna | B Major | 3 | 1B | 144 BPM | ||
| Maro Ladko Chhe Tu | Pooja Kalyani | C Major | 3 | 8B | 124 BPM | ||
| Madhuvanti | Shruti Sadolikar | A♭ Major | 3 | 4B | 185 BPM | ||
| Agra (India) 1987 - Kharawa | Zakir Hussain & Hariprasad Chaurasia | C Major | 6 | 8B | 122 BPM | ||
| Jovo Chevi Laganiyo Bandhani (Dhol Remix) | Vipul Susra, Jackie Gajjar | B Minor | 7 | 10A | 135 BPM | ||
| Saaro Sansariyo | Kala Varso Trust | B♭ Major | 7 | 6B | 172 BPM | ||
| Bhola Aadivashi Chhaiya | Kamlesh Barot | F♯ Major | 5 | 2B | 82 BPM | ||
| Rajya | Niraj Chag | D Major | 7 | 10B | 100 BPM | ||
| Saraswati Aarti | Ishwari Pandit, Sneha Suresh, Ankita Joshi | C Major | 1 | 8B | 139 BPM | ||
| Matlabi Duniya | Sagardan Gadhvi | Parth Studio | Rajstudio | A Minor | 9 | 8A | 192 BPM | ||
| Ogri Ogri Wo Flute Tune (OP Dewangan) | OP Dewangan | F♯ Major | 9 | 2B | 120 BPM | ||
| Khodal Aavje ( khodiyar Aavje) | Govind Gadhvi | A♭ Major | 3 | 4B | 134 BPM | ||
| Bhathijine Rane Bhadako Karo Re | Kamlesh Barot | D♭ Major | 5 | 3B | 84 BPM | ||
| Anand Mangal Karu Aarti Hari Guru Santni Sewa | Trupti Chhaya, Rajendra Pala | A♭ Minor | 5 | 1A | 122 BPM | ||
| Mard Muchhado (Maldhari Matavalo) | Govind Gadhvi, Gopal Bharwad | B♭ Major | 9 | 6B | 200 BPM | ||
| Sadhu Re Purush No Sang | Osman Mir | B♭ Minor | 6 | 3A | 94 BPM | ||
| Man Ni Vat Jane Meldi | Manisha Bharwad | B♭ Minor | 9 | 3A | 100 BPM | ||
| કાનુડા કાંકરી ના માર મારો જીવ જાવે || Kanuda Kakri Na Mar Maro Jiv Jave | Bhavesh Ahir | E Minor | 9 | 9A | 120 BPM | ||
| Jai Taal | Zakir Hussain | G Major | 9 | 9B | 94 BPM | ||
| Sawaar Loon Monali Thakur | FX DJ | D♭ Minor | 5 | 12A | 180 BPM | ||
| Mane Parani Ne Lai Ja Tara Malak Ma | Kaushik Bharwad, Tejal Thakor | A♭ Major | 10 | 4B | 170 BPM |