"Come Sunday" by Victor Feldman had its release date on February 1, 1961. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Come Sunday's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Victor Feldman's "Merry Olde Soul" album is number 5 out of 9. On top of that, United States appears to be the country where this track was created. The popularity of Come Sunday is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Come Sunday by Victor Feldman to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Wine to Ease the Pain | Smoke & Sonata | C Major | 6 | 8B | 110 BPM | ||
| Satin Doll | Victor Feldman | B♭ Major | 1 | 6B | 117 BPM | ||
| Wall Street | The Jazz Room | C Minor | 3 | 5A | 170 BPM | ||
| Piekna Lola, Kwiat Polnocy - Remastered 2025 | Zbigniew Namyslowski Modern Jazz Quartet | C Major | 6 | 8B | 110 BPM | ||
| Harvest Moon Swing | EugDJ | F Minor | 2 | 4A | 138 BPM | ||
| Yours Is My Heart Alone | Frank Marocco, Al Hendrickson, Dave Koonse, Gary Foster, John Tirabasso, Victor Feldman | C Major | 5 | 8B | 120 BPM | ||
| We Three Kings of Orient Are | The Fabulous Paul Horn Quintet, Emil Richards, Victor Gaskin, Paul Horn, Milt Turner, Paul Moer | D Major | 4 | 10B | 96 BPM | ||
| Easy On The Ear | Twobones, Isla Eckinger | F Minor | 5 | 4A | 133 BPM | ||
| Jubilee | Karin Krog, John Surman, Rob Luft, Rob Waring, Erlend Slettevoll | C Major | 6 | 8B | 110 BPM | ||
| Late Train Through Gold Light | Amber Jazz Trio | C Major | 6 | 8B | 110 BPM | ||
| Falling Stars | Luna Devera | A♭ Major | 3 | 4B | 130 BPM | ||
| Room 608 | Howard Roberts, Bert Dahlander, Curtis Counce, Victor Feldman | E♭ Major | 4 | 5B | 79 BPM | ||
| Satin Doll | Victor Feldman | A♭ Major | 3 | 4B | 125 BPM | ||
| Autumn Perc | Smooth Groove Atelier | C Major | 2 | 8B | 100 BPM | ||
| Arcade Club | Groovewell | B♭ Minor | 3 | 3A | 85 BPM | ||
| Fortano | BitSwing | C Minor | 2 | 5A | 147 BPM | ||
| Welcome | TransferX | F Minor | 3 | 4A | 144 BPM | ||
| Returns | Nerra Vale | B♭ Major | 1 | 6B | 103 BPM | ||
| When the Lights Are Low | Howard Roberts, Bert Dahlander, Curtis Counce, Victor Feldman | F Minor | 3 | 4A | 88 BPM | ||
| House of Clemence | Mario Monty | A♭ Major | 4 | 4B | 69 BPM | ||
| Kaamosmoskaa | Oskari Ojala, Leevi Koskinen | D Minor | 3 | 7A | 70 BPM | ||
| Antiquary Boutique | BitSwing | F♯ Major | 0 | 2B | 154 BPM | ||
| Chronicles of the Exiled | Niko de Oro | D♭ Major | 9 | 3B | 136 BPM | ||
| Tiempo lento | Kaelux | C Major | 6 | 8B | 110 BPM | ||
| Sah | Mark Kavuma, The Banger Factory, Theo Erskine, David Mrakpor | F♯ Major | 2 | 2B | 110 BPM |