"Childless" by Mark Isham had its release date on April 7, 2015. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "The Longest Ride (Original Score Album)". In this album, this song's track order is #19. Childless is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Childless by Mark Isham having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chapters | Geoff Zanelli, Jon Brion | G Major | 4 | 9B | 170 BPM | ||
| Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
| The Story Breaks | Howard Shore | A Minor | 2 | 8A | 112 BPM | ||
| The White Whale Chant | Roque Baños | A♭ Major | 2 | 4B | 78 BPM | ||
| Collateral Beauty | Theodore Shapiro | D Major | 0 | 10B | 64 BPM | ||
| One Down In Gaza | W.G. Snuffy Walden | G Major | 1 | 9B | 69 BPM | ||
| Can You See Jane? | Patrick Doyle | E♭ Major | 1 | 5B | 65 BPM | ||
| Perfect Peach | Angela Downy | A Major | 3 | 11B | 84 BPM | ||
| Bracelet | Peter Raeburn | A Minor | 1 | 8A | 111 BPM | ||
| Karen's Letter | Edward Shearmur | G Major | 0 | 9B | 65 BPM | ||
| He Never Says Anything | Philip Klein | A Minor | 0 | 8A | 71 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| The Key to Lallybroch | Bear McCreary, Raya Yarbrough | D Major | 1 | 10B | 74 BPM | ||
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM | ||
| Goodbye Old Friend | David Hirschfelder | F Major | 0 | 7B | 72 BPM | ||
| LaBoeuf Takes Leave | Carter Burwell | F Major | 0 | 7B | 47 BPM | ||
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Bleeker Street | Klaus Badelt | C Major | 1 | 8B | 135 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Harrison's Flowers | Cliff Eidelman | C Major | 1 | 8B | 65 BPM | ||
| Great Barrier Reef | David Schweitzer | C Minor | 2 | 5A | 84 BPM | ||
| I'll Take This One | Mark Isham | D♭ Major | 1 | 3B | 103 BPM | ||
| A River Runs Through It | Mark Isham | G Major | 4 | 9B | 133 BPM | ||
| Main Title | William Ross | A Major | 1 | 11B | 172 BPM |