Jim Bonney's ' "11th Hour Blues" was released on its scheduled release date, August 22, 2016. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Mafia III (Expanded Game Score)" album is number 2 out of 26. In terms of popularity, 11th Hour Blues is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 11th Hour Blues by Jim Bonney to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arizona Blues | Anibal Camus, Kuatro de Paz, Jonathan Dos Anjos | C Major | 3 | 8B | 140 BPM | ||
| Our Country Made a Promise | Dan Romer | E Minor | 9 | 9A | 106 BPM | ||
| No More War to Fight | Tyler Bates | A Major | 1 | 11B | 69 BPM | ||
| Redemption In Dub | Bill Elm, Woody Jackson | B Minor | 6 | 10A | 130 BPM | ||
| Sitting Here Alone | Hound Dog Taylor | E Major | 4 | 12B | 172 BPM | ||
| Garage Days | A. Romanov | C Major | 4 | 8B | 75 BPM | ||
| The Runaround | Tyler Bates | D♭ Major | 3 | 3B | 111 BPM | ||
| Pride of the Job, Pt. 1 | Andrew Hale, Simon Hale | C Minor | 1 | 5A | 71 BPM | ||
| Backwater Blues | Philip Sayce Group, Philip Sayce | B Minor | 5 | 10A | 176 BPM | ||
| Something of Value | Kenzo Almond | F♯ Major | 8 | 2B | 144 BPM | ||
| Flying Drugs | Pedro Bromfman | E♭ Minor | 5 | 2A | 160 BPM | ||
| Devil of the Town | Kenzo Almond | D♭ Major | 7 | 3B | 86 BPM | ||
| Ghost Hunt | Sixteen Wheelers | B Minor | 3 | 10A | 128 BPM | ||
| One Day Longer | Traz Damji, Ben McCullough | C Minor | 3 | 5A | 107 BPM | ||
| From The Darkness, A Voice | Jesse Harlin | E Minor | 3 | 9A | 91 BPM | ||
| Wurmwater Ambience - Captain Scarlett and Her Pirate's Booty | Raison Varner | D Major | 1 | 10B | 105 BPM | ||
| Step into the Garden | Dan Romer | G Major | 4 | 9B | 120 BPM | ||
| Beyond the Western Hills | Gabriel Lewis | D Major | 2 | 10B | 90 BPM | ||
| Return To The Cabin | Harry Gregson-Williams | G Major | 6 | 9B | 150 BPM | ||
| The Blessing Just Takes Minutes | Dan Romer | G Major | 9 | 9B | 170 BPM | ||
| Hunting La Santera | Alain Johannes | G Major | 6 | 9B | 90 BPM | ||
| Computer Hack | David Buckley | D Major | 2 | 10B | 110 BPM | ||
| Full House Dusk | River Foxcroft | D Major | 5 | 10B | 140 BPM | ||
| Amsterdam Chase | Dmitri Golovko | A♭ Major | 9 | 4B | 126 BPM | ||
| Forever | Brian Grey | A Minor | 5 | 8A | 150 BPM |