"Ah! Woe Is Me!" by Gregory Hutter, Philovox Ensemble, Robert Schuneman had its release date on July 12, 2019. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gregory Hutter, Various Artists's "Gregory Hutter: Secular Choral Music" album is number 2 out of 12. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Ah! Woe Is Me!'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ah! Woe Is Me! by Gregory Hutter, Philovox Ensemble, Robert Schuneman to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jezus neemt de zondaars aan | Reformatorisch Jongerenkoor Chenánja, Jan Hendrik van Schothorst | A Major | 2 | 11B | 70 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| The Seasons, Op. 67: IV. Petit Adagio | Alexander Glazunov, Yevgeny Svetlanov, Philharmonia Orchestra | F♯ Major | 0 | 2B | 71 BPM | ||
| Oíche Mhaith a Sheáin | Máire Carroll, Kristan Swain | D Major | 0 | 10B | 62 BPM | ||
| La légende de Legrand (The Summer Knows/The Windmills of Your Mind/Les parapluies de Cherbourg) | Alan Bergman / Marilyn Bergman / Michel Jean Legrand, Quatuor Rhapsodie | D Minor | 3 | 7A | 142 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| Bach-Gounod: Meditation over a theme of Bach | Conrad Zwicky | C Major | 0 | 8B | 75 BPM | ||
| Harpsichord Sonata No. 73: Allegro in D Major (arr. for Harp) | Antonio Soler, Godelieve Schrama | A Major | 1 | 11B | 94 BPM | ||
| Meditative Flow | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| We are Family | Andrea Giordano | D Minor | 0 | 7A | 129 BPM | ||
| Song of India | Nikolai Rimsky-Korsakov, Jane Rutter | F Major | 0 | 7B | 133 BPM | ||
| 3 Romances sans paroles, Op. 17, No. 3 | Gabriel Fauré, Thérèse Ryan, Francine Chabot | A Major | 0 | 11B | 85 BPM | ||
| Childhood | Matt Milan | E Minor | 2 | 9A | 136 BPM | ||
| Quintet for Bassoon, Violin, 2 Violas and Violoncello in B-Flat Major, Op. 14: III. Andante | Johann Evangelist Brandl, Calamus Ensemble | B♭ Major | 1 | 6B | 136 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | D Minor | 1 | 7A | 97 BPM | ||
| El nado de la serpiente | Juan Pablo Fernández Ramos | D Minor | 1 | 7A | 97 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VI. Courante | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | D Minor | 1 | 7A | 97 BPM | ||
| Wege zu dir - Wege zu mir | Dick Le Mair | F Major | 3 | 7B | 122 BPM | ||
| Symphony No. 14, "Morgenen" (the Morning), BVN 336: II. Upaagtede morgenstjerner [Unnoticed morning stars] | Rued Langgaard, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 0 | 7B | 81 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Culinary Harmony | Estoria | D Minor | 1 | 7A | 97 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai - Edit | Maurice Ravel, Alicia de Larrocha, London Philharmonic Orchestra, Lawrence Foster | E Major | 0 | 12B | 69 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM |