Isaac Stern's 'Suite populares españolas: Cancíon' had a release date set for 1949. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Isaac Stern's "Isaac Stern - A Life in Music IV - Box Set" album is number 21 out of 150. On top of that, United States appears to be the country where this track was created. Based on our statistics, Suite populares españolas: Cancíon's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite populares españolas: Cancíon by Isaac Stern to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne en Mi Bémol Majeur, Op. 9 No. 2 | Frédéric Chopin, Luis Fernando Pérez | E♭ Major | 0 | 5B | 61 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | ||
| Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen, Noreen Polera | B♭ Major | 0 | 6B | 90 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
| Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Chicago Symphony Orchestra, Yo-Yo Ma, Isaac Stern, Claudio Abbado | G Major | 1 | 9B | 102 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
| Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, New Philharmonia Orchestra/Jacqueline du Pré/Daniel Barenboim, Daniel Barenboim, New Philharmonia Orchestra | F Major | 2 | 7B | 95 BPM | ||
| Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | G Major | 2 | 9B | 90 BPM | ||
| Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): Overture | Wolfgang Amadeus Mozart, Glyndebourne Festival Orchestra/Vittorio Gui, Vittorio Gui, Glyndebourne Festival Orchestra | D Major | 1 | 10B | 79 BPM | ||
| 4th Movement: Allegro Con Fuocho | London Philharmonic Orchestra | E Minor | 1 | 9A | 140 BPM | ||
| 14 Songs, Op. 34: No. 14, Vocalise (Arr. A. Harris for Violin & Orchestra) | Sergei Rachmaninoff, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | E Minor | 2 | 9A | 92 BPM | ||
| Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 97 BPM | ||
| String Quintet in E Major, Op. 11 No. 5, G. 275: II. Allegro con spirito | Luigi Boccherini, Jaime Laredo, Isaac Stern, Cho-Liang Lin, Yo-Yo Ma, Sharon Robinson | E♭ Major | 1 | 5B | 81 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto - Live | Dmitri Shostakovich, Emerson String Quartet | G Major | 4 | 9B | 135 BPM | ||
| La ronde des lutins, Op. 25 | Antonio Bazzini, Itzhak Perlman, David Garvey | D Minor | 3 | 7A | 169 BPM | ||
| Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
| Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
| Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | G Major | 2 | 9B | 117 BPM | ||
| Toccata and Fugue in D Minor, BWV 565: 1. Toccata | Johann Sebastian Bach, Simon Preston | D Minor | 2 | 7A | 84 BPM | ||
| Prokofiev: Romeo and Juliet, Op. 64, Act 1: Dance of the Knights | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 86 BPM |