"The Arm In The Mirror" by Thomas Newman had its release date on August 28, 2025. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Thursday Murder Club (Soundtrack from the Netflix Film)". In this album, this song's track order is #3. The popularity of The Arm In The Mirror is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Arm In The Mirror by Thomas Newman having a BPM of 184 with a half-time of 92 BPM and a double-time of 368 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| At the Ravenite Social Club | Mark Isham | D♭ Major | 0 | 3B | 132 BPM | ||
| Private Property | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| You In Ten Fucking Years | Joel J. Richard, Tyler Bates | A Minor | 1 | 8A | 73 BPM | ||
| Blue Blood Burden | Masaru Yokoyama | D Major | 2 | 10B | 88 BPM | ||
| Harbor Neuroscience | Mark Isham | A Minor | 1 | 8A | 78 BPM | ||
| I Put All That Away | Max Richter | D Minor | 0 | 7A | 184 BPM | ||
| Awake for 7 Days | Thomas Newman | F Major | 5 | 7B | 114 BPM | ||
| The Executioner | Murray Gold | D Major | 4 | 10B | 120 BPM | ||
| Just Hold On | Jeremiah Fraites | E♭ Major | 1 | 5B | 148 BPM | ||
| Beesha Comes Back | Oli Julian | G Major | 3 | 9B | 162 BPM | ||
| Origins | Max Aruj, Alfie Godfrey | G Major | 1 | 9B | 105 BPM | ||
| Lissa’s theme - From "Best Laid Plans" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM | ||
| Scrum | Thomas Newman | D♭ Major | 1 | 3B | 162 BPM | ||
| The Shining Truth | Luke Richards | A Minor | 4 | 8A | 75 BPM | ||
| Lack Of Evidence | Daniel Pemberton, Toydrum | C Minor | 3 | 5A | 108 BPM | ||
| How Many? | Dave Porter | A Minor | 2 | 8A | 80 BPM | ||
| Someones Following Us | Steven Price | A Major | 4 | 11B | 150 BPM | ||
| Emergency Broadcast System | The Newton Brothers | E Major | 0 | 12B | 77 BPM | ||
| Symphony | Vunnogale | A Major | 4 | 11B | 75 BPM | ||
| The Event | Dave Porter | B Minor | 3 | 10A | 122 BPM | ||
| Horizon | Fezela | D Major | 3 | 10B | 85 BPM | ||
| Cut And Paste | Daniel Pemberton | A Major | 1 | 11B | 169 BPM | ||
| What A Chase | Thomas Newman | B♭ Minor | 2 | 3A | 162 BPM | ||
| Sneaking Out / Beating Up Car | Nathaniel Walcott | F♯ Major | 2 | 2B | 130 BPM | ||
| Hit | Dan Deacon | F Minor | 1 | 4A | 152 BPM |