Reba McEntire's 'Somebody Should Leave' had a release date set for October 15, 1984. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Reba McEntire's "My Kind Of Country" album is number 5 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Somebody Should Leave is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Somebody Should Leave by Reba McEntire to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come In Out of the Pain | Doug Stone | A Major | 4 | 11B | 71 BPM | ||
| What I Meant to Say | Wade Hayes | F Major | 3 | 7B | 77 BPM | ||
| I Wonder How Far It Is Over You | Aaron Tippin | F♯ Major | 3 | 2B | 86 BPM | ||
| Everything's Changed | Lonestar | F Major | 6 | 7B | 104 BPM | ||
| A Little Past Little Rock | Lee Ann Womack, Jason Sellers | E Major | 6 | 12B | 172 BPM | ||
| Come Next Monday | K.T. Oslin | A Major | 5 | 11B | 82 BPM | ||
| What Might Have Been | Little Texas | G Major | 2 | 9B | 131 BPM | ||
| Life As We Knew It | Kathy Mattea | D Major | 2 | 10B | 100 BPM | ||
| Is There Life Out There | Reba McEntire | A♭ Major | 5 | 4B | 97 BPM | ||
| All Dressed Up (With Nowhere To Go) | Reba McEntire | C Major | 3 | 8B | 97 BPM | ||
| I Wish That I Could Hurt That Way Again | T. Graham Brown | F Major | 4 | 7B | 128 BPM | ||
| Cathy's Clown | Reba McEntire | E Major | 3 | 12B | 104 BPM | ||
| I Saw The Light | Wynonna | B Major | 8 | 1B | 152 BPM | ||
| Do Me with Love | Janie Fricke | B Major | 3 | 1B | 77 BPM | ||
| Strawberry Wine | Deana Carter | D♭ Major | 4 | 3B | 123 BPM | ||
| Lonely But Only For You | K.T. Oslin | C Major | 3 | 8B | 98 BPM | ||
| Why Didn't I Think of That | Doug Stone | D Major | 6 | 10B | 121 BPM | ||
| Love Is Alive | The Judds | E Major | 4 | 12B | 86 BPM | ||
| Sacred Ground | McBride & The Ride | G Major | 4 | 9B | 105 BPM | ||
| You're Not In Kansas Anymore | Jo Dee Messina | D♭ Major | 8 | 3B | 116 BPM | ||
| She Took It Like a Man - Remastered Version | Confederate Railroad | G Major | 6 | 9B | 124 BPM | ||
| Old Pictures | K.T. Oslin | G Major | 3 | 9B | 94 BPM | ||
| I've Loved Enough To Know | Deana Carter | A♭ Major | 7 | 4B | 120 BPM | ||
| She'd Give Anything | Boy Howdy | C Major | 5 | 8B | 143 BPM | ||
| There Goes My Heart Again | Holly Dunn | D♭ Major | 6 | 3B | 149 BPM |