SIE Sound Team's 'Storm and Triumph' had a release date set for February 22, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in SIE Sound Team's "GRAVITY RUSH 2 Original Soundtrack" album is number 2 out of 15. On top of that, Japan appears to be the country where this track was created. The popularity of Storm and Triumph is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Storm and Triumph by SIE Sound Team to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Brief Respite (Camp Theme) | Stuart Chatwood | D Major | 3 | 10B | 66 BPM | ||
| 「最果ての地」 | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | A Minor | 1 | 8A | 119 BPM | ||
| Omen | SIE Sound Team | B♭ Major | 1 | 6B | 130 BPM | ||
| Nascence | Austin Wintory | B Minor | 1 | 10A | 106 BPM | ||
| The City Gates | Jeremy Soule, The Elder Scrolls | G Minor | 2 | 6A | 85 BPM | ||
| No More Do I Travel as a Man | Trevor Morris | D Minor | 1 | 7A | 141 BPM | ||
| The End of Time | Malcolm Robinson | A Minor | 3 | 8A | 148 BPM | ||
| Reckoning Main Theme | Grant Kirkhope | D♭ Major | 3 | 3B | 60 BPM | ||
| 美しき世界の理 | Miwako Chinone | D Major | 0 | 10B | 107 BPM | ||
| Lament | Steve Pardo | E Minor | 1 | 9A | 71 BPM | ||
| Adel, Baron of Night | Soma Tanizaki | A Major | 6 | 11B | 167 BPM | ||
| Su Beso de Plata - Redux | Carlos Viola | F Major | 9 | 7B | 165 BPM | ||
| Prologue (feat. Julie Elven) - Part 1 - Motherland | Joris de Man, Julie Elven | F Minor | 1 | 4A | 68 BPM | ||
| The Gravewalker (From "Middle Earth:Shadow of Mordor" Video Game) | Sofa Sounds | D Major | 4 | 10B | 105 BPM | ||
| The Tale of Sensei Ishikawa | Ilan Eshkeri | G Minor | 4 | 6A | 127 BPM | ||
| The City Must Survive | Piotr Musiał | G Minor | 7 | 6A | 95 BPM | ||
| The Brilliance that Rules the Everstream - Kulve Taroth: Transformation | TADAYOSHI MAKINO | D Minor | 6 | 7A | 95 BPM | ||
| 森の静寂 | Revo | E Minor | 2 | 9A | 148 BPM | ||
| Que en Procesión Marchen | Carlos Viola | G Major | 4 | 9B | 120 BPM | ||
| Nay! The Honor is All Ours | Akihiko Narita | B Minor | 8 | 10A | 144 BPM | ||
| Nameless Song | Motoi Sakuraba | C Major | 1 | 8B | 96 BPM | ||
| 「祈り」 | 柴田真郁, 末永匡, Tokyo Symphony Orchestra | A Minor | 0 | 8A | 63 BPM | ||
| Komoda Beach | Ilan Eshkeri | A♭ Major | 2 | 4B | 84 BPM | ||
| The Emperor Emerges From Under the Veil ~ For the Emperor's Amusement | 栗田博文, 東京フィルハーモニー交響楽団 | D Minor | 7 | 7A | 77 BPM | ||
| Kumo | Austin Wintory | B♭ Minor | 7 | 3A | 143 BPM |