G.ガーシュイン, 東京メトロポリタンブラス・クィンテット, 高橋敦(トランペット), 中山隆崇(トランペット), 西條貴人(ホルン), 小田桐寛之(トロンボーン), 佐藤潔(チューバ)'s '6つの歌 オー・レディ・ビー・グッド' had a release date set for June 25, 2004. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. 6つの歌 オー・レディ・ビー・グッド's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ワシントン・ポスト・マーチ, so we believe that "6つの歌 オー・レディ・ビー・グッド" is a single. The popularity of 6つの歌 オー・レディ・ビー・グッド is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6つの歌 オー・レディ・ビー・グッド by G.ガーシュイン, 東京メトロポリタンブラス・クィンテット, 高橋敦(トランペット), 中山隆崇(トランペット), 西條貴人(ホルン), 小田桐寛之(トロンボーン), 佐藤潔(チューバ) is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bassoon Scherzo No 1 F# Minor | Nikolas Eleftheriou | F♯ Minor | 0 | 11A | 125 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 5. Vivace | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
| Concerto for 2 Pianos and Orchestra in D minor, FP 61: 3. Finale (Allegro molto) | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F♯ Minor | 0 | 11A | 84 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | B Major | 0 | 1B | 130 BPM | ||
| Sea-Murmurs (Arr. J. Heifetz for Cello & Piano) | Mario Castelnuovo-Tedesco, Brinton Averil Smith, Evelyn Chen | F Minor | 1 | 4A | 93 BPM | ||
| 10 Pensées Lyriques, Op. 40: V. Berceuse | Jean Sibelius, James Ehnes, Andrew Armstrong | A Major | 2 | 11B | 103 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| 4 Piano Pieces: No. 4, Gavotte | Sergei Rachmaninoff, Boris Giltburg | B Major | 0 | 1B | 130 BPM | ||
| Totentanz, S. 126/2: Var. 2. [L'istesso tempo] – Un poco animato | Franz Liszt, Leslie Howard, Budapest Symphony Orchestra, Karl Anton Rickenbacher | A Minor | 2 | 8A | 122 BPM | ||
| Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
| Divertimento in D Major, Hob. XI.113: I. Adagio | Franz Joseph Haydn, Denis Brott, Samuel Sanders | D Major | 1 | 10B | 145 BPM | ||
| アイ・ガット・リズム変奏曲 | G.ガーシュイン, ザ・クラリネット・アンサンブル, 山本正治(B♭管), 三界秀実(B♭管), 澤村康江(B♭管), 十亀正司(バス・Cl) | B Major | 1 | 1B | 124 BPM | ||
| 3つの前奏曲 Prelude III | G.ガーシュイン, 高橋敦(トランペット), 白石准(ピアノ) | D♭ Major | 0 | 3B | 69 BPM | ||
| Sextet for Wind Quintet & Piano, FP 100: II. Divertissement: Andantino | Francis Poulenc, Philippe Bernold, Olivier Doise, Ronald Van Spaendonck, Laurent Lefèvre, Hervé Joulain, Alexandre Tharaud | D Major | 1 | 10B | 72 BPM | ||
| Spazi Vuoti | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 168 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | B Major | 0 | 1B | 130 BPM | ||
| Clarinet Quintet in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | B Minor | 1 | 10A | 76 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Hommage á Richard Strauss for Clarinet Solo | Béla Kovács | F Minor | 0 | 4A | 109 BPM | ||
| Piano Trio in G Minor, Op. 15, JB 1:64: III. Finale. Presto | Bedřich Smetana, Smetana Trio | A Major | 0 | 11B | 88 BPM | ||
| Violin Sonata, Op. 18: III. Finale. Andante – Allegro | Richard Strauss, Renaud Capuçon, Guillaume Bellom | E♭ Major | 0 | 5B | 174 BPM | ||
| Horn Sonatina: I. Allegro moderato | Jaroslav Kofroň, Steven Gross, Pascal Salomon | D♭ Major | 0 | 3B | 67 BPM | ||
| Violin Sonata No. 3 In D Minor, Op. 108: II. Adagio | Johannes Brahms, Augustin Dumay, Louise Lortie | D Major | 0 | 10B | 165 BPM | ||
| Tempus fugit: III. Part 3 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 92 BPM | ||
| Trio in A Minor, Op. 114: III. Andantino grazioso | Johannes Brahms, Martin Fröst, Roland Pöntinen, Torleif Thedéen | A Major | 0 | 11B | 75 BPM |