Ryuichi Sakamoto's ' "tong poo" was released on its scheduled release date, February 24, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 18 in BTTB (20th Anniversary Edition) by Ryuichi Sakamoto. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of tong poo is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of tong poo by Ryuichi Sakamoto is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 渡良瀬 | 板橋文夫 | F♯ Major | 8 | 2B | 132 BPM | ||
| 美貌の青空(Bibo no Aozora) - Geimori - Medley | Taeko Onuki, Ryuichi Sakamoto | A Minor | 1 | 8A | 78 BPM | ||
| CELLO SUITE NO.1 PRELUDE | Yasuaki Shimizu & Saxophonettes | F Minor | 4 | 4A | 125 BPM | ||
| KAREN(HOME DEMO) | Hiroshi Fujiwara | C Major | 0 | 8B | 128 BPM | ||
| Menuet sur le nom d'Haydn, M. 58 | Maurice Ravel, Vlado Perlemuter | G Major | 0 | 9B | 93 BPM | ||
| Bloom | Bill Laurance, The Untold Orchestra | F Minor | 4 | 4A | 102 BPM | ||
| Eight Concert Etudes, Op. 40: Finale | Nikolai Kapustin, Ivan Yanakov | C Minor | 3 | 5A | 94 BPM | ||
| シロさんの台所 | Kaori Sawada | A♭ Major | 1 | 4B | 180 BPM | ||
| BWV 974 - II Adagio - Rework | Víkingur Ólafsson, Ryuichi Sakamoto | A Minor | 1 | 8A | 94 BPM | ||
| Waltz For Debby - Live At The Village Vanguard, New York / 1961 / Take 2 | Bill Evans Trio | F Major | 2 | 7B | 89 BPM | ||
| Spartacus Love Theme | SOIL & “PIMP” SESSIONS | E Minor | 1 | 9A | 103 BPM | ||
| Wonderful To Me | Sketch Show | C Minor | 5 | 5A | 100 BPM | ||
| A Flower is not a Flower | Ryuichi Sakamoto | D Minor | 0 | 7A | 77 BPM | ||
| Happy End | Ryuichi Sakamoto | F Minor | 1 | 4A | 98 BPM | ||
| amnesia | Shunji Iwai | E♭ Major | 0 | 5B | 108 BPM | ||
| Reversing | Ryuichi Sakamoto | C Major | 0 | 8B | 126 BPM | ||
| 松葉上的鳥與水珠 Birds and Moist Pine Needles | Cicada | F Minor | 2 | 4A | 120 BPM | ||
| Blu (Arr. for Guitar by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | G Major | 1 | 9B | 84 BPM | ||
| ATTENTION TOKYO | Sketch Show | D Major | 5 | 10B | 145 BPM | ||
| Electric Counterpoint: II. Slow | Steve Reich, Pat Metheny | E Major | 2 | 12B | 96 BPM | ||
| 慰安旅行 | SAKEROCK | D Major | 9 | 10B | 121 BPM | ||
| Moon | alva noto, Ryuichi Sakamoto | B Minor | 3 | 10A | 120 BPM | ||
| かすみ草 | Hayato Sumino | C Major | 1 | 8B | 127 BPM | ||
| You and I had seen the same thing | YUNSEOKCHEOL TRIO | A Minor | 5 | 8A | 140 BPM | ||
| Graceful Ghost | William Bolcom | F♯ Major | 2 | 2B | 119 BPM |