Johann Strauss I, Riccardo Muti, Wiener Philharmoniker's ' "Radetzky-Marsch, Op. 228" was released on its scheduled release date, January 5, 2018. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "New Year's Concert 2018 / Neujahrskonzert 2018 / Concert du Nouvel An 2018". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Radetzky-Marsch, Op. 228 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Radetzky-Marsch, Op. 228 by Johann Strauss I, Riccardo Muti, Wiener Philharmoniker having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | E Major | 0 | 12B | 65 BPM | ||
| Barcarole (From the Opera "Les Contes D’Hoffmann") | Jacques Offenbach, André Rieu, Johann Strauss Orchestra | B♭ Major | 7 | 6B | 78 BPM | ||
| Waltz No. 2 from "Jazz Suite 2" | Dmitri Shostakovich, Jan Vogler | C Minor | 5 | 5A | 181 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Der Freischütz, J. 277, Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 5 | 11B | 91 BPM | ||
| Sperl-Galopp, Op. 42 | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Marzendorfer | E Major | 3 | 12B | 137 BPM | ||
| Midsummer Night's Dream, Op. 61: No. 9, Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM | ||
| Aida: Marche triomphale trompettes | Franck Pourcel | G Minor | 3 | 6A | 106 BPM | ||
| Guillaume Tell: Overture: Allegro vivace (Finale) | Gioachino Rossini, Valery Gergiev, Wiener Philharmoniker | E Major | 4 | 12B | 151 BPM | ||
| Bahn frei - Polka Galop, Op. 45 | Eduard Strauss, Wiener Philharmoniker, Willi Boskovsky | B♭ Major | 7 | 6B | 148 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
| Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
| Der Zigeunerbaron: Einzugsmarsch | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 4 | 6B | 103 BPM | ||
| Wiener Leben, Polka française, Op. 218 | Josef Strauss, Zubin Mehta, Wiener Philharmoniker | D Major | 2 | 10B | 83 BPM | ||
| Sphärenklänge, Walzer, Op. 235 | Josef Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 1 | 10B | 93 BPM | ||
| El Murcielago | Orquesta Filarmonica de Rumania | G Major | 2 | 9B | 144 BPM | ||
| Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM | ||
| Heinzelmännchen | Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 1 | 5B | 94 BPM | ||
| Wer tanzt mit? Polka schnell, Op. 251 | Eduard Strauss, Franz Welser-Möst, Wiener Philharmoniker | D Major | 4 | 10B | 83 BPM | ||
| Toselli-Serenade | C. F. Orchester Richards | E Major | 3 | 12B | 82 BPM | ||
| Carolinen-Galopp, Op. 21a | Johann Strauss I, Daniel Barenboim, Wiener Philharmoniker | B♭ Major | 2 | 6B | 151 BPM | ||
| Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle" | Jacques Offenbach, Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 150 BPM | ||
| Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | C Major | 3 | 8B | 82 BPM | ||
| Radetzky-Bankett-Marsch (Fragment) | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | C Major | 1 | 8B | 100 BPM | ||
| Unter Donner und Blitz, Polka, Op.324 | Johann Strauss II, Wiener Philharmoniker, Herbert von Karajan | G Major | 5 | 9B | 159 BPM |