"Maiden Speech" by Hugh Doolan had its release date on October 9, 2012. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Maiden Speech's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Soundtrack to Your Imagination". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Ireland. Maiden Speech is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Maiden Speech by Hugh Doolan having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thynk Unlimited | Screamthat | D♭ Major | 1 | 3B | 130 BPM | ||
| Car Kill | Adrian Johnston | F Major | 1 | 7B | 91 BPM | ||
| Estasi Binaurale | Non Binary | E Minor | 4 | 9A | 83 BPM | ||
| THE 9TH CENTURY B.C VII | PROVISIONEDBEATS | F Major | 1 | 7B | 91 BPM | ||
| Ellen's Dream | Robin Carolan | D Major | 2 | 10B | 87 BPM | ||
| Blue Eyed Bairn | Zilgi | F Minor | 1 | 4A | 181 BPM | ||
| You Think I Should Keep It? | Geoff Zanelli | F Major | 1 | 7B | 91 BPM | ||
| How Come We Go Home | Mark Prechtwahn | B♭ Minor | 0 | 3A | 74 BPM | ||
| Prima Materia | AcjnN | F Major | 1 | 7B | 91 BPM | ||
| Regression | Zilgi | F Minor | 1 | 4A | 181 BPM | ||
| Think About Us | Keramet Boyukcol, Kukando | B♭ Major | 5 | 6B | 75 BPM | ||
| The Hunt Builds | Wojciech Kilar | F Minor | 3 | 4A | 96 BPM | ||
| Callejones Sin Salida | Batallas Vencidas | B Major | 1 | 1B | 120 BPM | ||
| Requiem for the Fallen | Federico Jusid | F Major | 1 | 7B | 91 BPM | ||
| Metamorphosys | Umberto Smerilli | B♭ Minor | 1 | 3A | 57 BPM | ||
| 卵の見る夢 | YOSHIHIRO KANNO | A♭ Major | 1 | 4B | 85 BPM | ||
| Papers | Misty Lover | C Major | 0 | 8B | 66 BPM | ||
| Balancing | Tai Tomisawa | F Major | 1 | 7B | 91 BPM | ||
| Second Sight | Zilgi | F Minor | 1 | 4A | 181 BPM | ||
| Sad Farewell (Extended Version) | Hugh Doolan | B♭ Minor | 0 | 3A | 80 BPM | ||
| Delincuentes Habituales | Mutua Admiración | D Minor | 1 | 7A | 52 BPM | ||
| Girl In a Bed | Hugh Doolan | F Major | 1 | 7B | 119 BPM | ||
| Ante La Mirada | Universos Terrenales | A Minor | 1 | 8A | 82 BPM | ||
| Slo Mo | Hugh Doolan | D Minor | 2 | 7A | 100 BPM | ||
| Tarchon and Achillia | Joseph Loduca | F Major | 1 | 7B | 91 BPM |