Masaki Matsubara's ' "ハード・タイムス" was released on its scheduled release date, July 24, 2013. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. There are a total of 8 in the song's album "NEW YORK". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. Based on our statistics, ハード・タイムス's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With ハード・タイムス by Masaki Matsubara having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Invitations | Shakatak | C Minor | 7 | 5A | 122 BPM | ||
| 抱いて、ルパン | サンディ・A・ホーン, ユー & ザ・エクスプロージョン・バンド | C Minor | 5 | 5A | 146 BPM | ||
| SILLY CRUSH | Masaki Matsubara | A Minor | 3 | 8A | 88 BPM | ||
| I Wonder | Niteflyte | A Major | 8 | 11B | 106 BPM | ||
| Nani mo Iranai | Taeko Onuki | E Minor | 7 | 9A | 103 BPM | ||
| SHOCK | Kenji Omura | B Minor | 8 | 10A | 97 BPM | ||
| 東京ジャズ・クラブ - Non Stop Mix ver. | 新田一郎 | B Minor | 9 | 10A | 119 BPM | ||
| First Light - 2018 Remaster | Makoto Matsushita | D♭ Major | 8 | 3B | 129 BPM | ||
| あこがれのセイシェル | Sadistics | A Minor | 8 | 8A | 96 BPM | ||
| 心のままに | 朝比奈 マリア | F Minor | 8 | 4A | 115 BPM | ||
| BOSTON FLIGHT | Kenji Omura | G Major | 6 | 9B | 98 BPM | ||
| HAVE A NICE DAY | MALTA | B♭ Major | 1 | 6B | 129 BPM | ||
| 電話しても - 2012 Remaster | Kazuhito Murata | D♭ Minor | 8 | 12A | 122 BPM | ||
| LEFT-HANDED WOMAN | Kenji Omura | D Major | 9 | 10B | 126 BPM | ||
| BELIEVIN' | NANIWA EXPRESS | B♭ Major | 9 | 6B | 114 BPM | ||
| BALLADE | Noriki | A♭ Major | 3 | 4B | 140 BPM | ||
| オールドハワイ・コナ | Naoya Matsuoka | D♭ Major | 8 | 3B | 97 BPM | ||
| SHININ' YOU,SHININ' DAY | Char | A Minor | 8 | 8A | 105 BPM | ||
| DANCIN' | Junko Ohashi | B Minor | 7 | 10A | 122 BPM | ||
| LUMBERJACK | Yuji Toriyama | A Minor | 9 | 8A | 112 BPM | ||
| キスカ | Tatsuro Yamashita | D♭ Major | 8 | 3B | 92 BPM | ||
| Sweet Love | Junko Ohashi | F Minor | 7 | 4A | 93 BPM | ||
| Misty Lady | Minoru Mukaiya | D Minor | 5 | 7A | 170 BPM | ||
| Kotta Taiyo | Spectrum | F♯ Minor | 5 | 11A | 112 BPM | ||
| FOR MY LOVE | NANIWA EXPRESS | F Major | 5 | 7B | 76 BPM |