Blind Willie McTell's ' "The Razor Ball" was released on its scheduled release date, February 8, 2005. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. The Razor Ball's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 15 in Atlanta Twelve String by Blind Willie McTell. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Razor Ball is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Razor Ball by Blind Willie McTell is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ash Tray Blues | Papa Charlie Jackson | B♭ Major | 4 | 6B | 141 BPM | ||
| I Know His Blood Can Make Me Whole | Blind Willie Johnson | D♭ Minor | 2 | 12A | 105 BPM | ||
| Saint James Infirmary | Snooks Eaglin | D Major | 3 | 10B | 91 BPM | ||
| Standing In My Doorway Crying | Jessie Mae Hemphill | D Major | 1 | 10B | 73 BPM | ||
| Come on Boys, Let's Do That Messin' Around | Blind Blake | F♯ Major | 6 | 2B | 191 BPM | ||
| Evening Sun | Johnny Shines | F♯ Minor | 5 | 11A | 89 BPM | ||
| C.C. & O. Blues | Simmie Dooley, Pink Anderson | G Major | 4 | 9B | 96 BPM | ||
| Empty Bed Blues, Pt. 1 | Bessie Smith | F Major | 1 | 7B | 85 BPM | ||
| Mellow Down Easy | Little Walter | D♭ Minor | 3 | 12A | 191 BPM | ||
| Alabama March | J.B. Lenoir | G Major | 2 | 9B | 92 BPM | ||
| Me and my chauffer | Memphis Minnie | B Major | 5 | 1B | 156 BPM | ||
| Junker's Blues | Champion Jack Dupree | F Major | 2 | 7B | 103 BPM | ||
| Cigarette Blues | Bo Carter | B♭ Major | 4 | 6B | 141 BPM | ||
| Anna Lou Blues | Tampa Red | B♭ Major | 4 | 6B | 141 BPM | ||
| Crazy Blues | Mamie Smith | B♭ Major | 4 | 6B | 141 BPM | ||
| Shake It and Break It (But Don't Let It Fall Mama) | Charley Patton | B♭ Major | 4 | 6B | 141 BPM | ||
| Bull Doze Blues | Henry Thomas | B♭ Major | 4 | 6B | 141 BPM | ||
| Denver Blues | Tampa Red | C Major | 2 | 8B | 84 BPM | ||
| Everything Gonna Be Alright | Muddy Waters Blues Band, Big Mama Thornton | G Major | 6 | 9B | 94 BPM | ||
| Statesboro Blues | Blind Willie McTell | D♭ Major | 3 | 3B | 87 BPM | ||
| Coal Black Mattie | Ranie Burnette | G Major | 3 | 9B | 86 BPM | ||
| Sittin' On Top of the World | Sam Chatmon | B Minor | 1 | 10A | 82 BPM | ||
| Baby, It Must Be Love | Blind Willie McTell | A Minor | 3 | 8A | 106 BPM | ||
| Hide Me in Thy Bosom | Curley Weaver, Blind Willie McTell | B♭ Major | 4 | 6B | 141 BPM | ||
| Tryin' To Get Home | Rev. Gary Davis | C Major | 2 | 8B | 81 BPM |