Michele Di Toro's ' "See You" was released on its scheduled release date, March 10, 2010. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Playing With Music". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. See You is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With See You by Michele Di Toro having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grey Taxi Ride | The Freebees | E♭ Major | 1 | 5B | 130 BPM | ||
| West of Town | High North Trio | D Minor | 2 | 7A | 108 BPM | ||
| Where Have You Been | Goblin Quartet | G Minor | 1 | 6A | 112 BPM | ||
| Chicago After The Last Call | Jazz & Co. | E♭ Major | 1 | 5B | 130 BPM | ||
| Those Wild Flower | Nathan Blake | C Major | 2 | 8B | 114 BPM | ||
| Late drive FM | Leydon | E♭ Major | 1 | 5B | 130 BPM | ||
| Whisper of the Breeze | LiftMachine | G Major | 1 | 9B | 144 BPM | ||
| O Que Sera | Antonio Faraò | E♭ Major | 1 | 5B | 130 BPM | ||
| Evening Standard | India Manes | C Major | 1 | 8B | 153 BPM | ||
| Glass Half Full | Benjamin Morris | C Major | 1 | 8B | 108 BPM | ||
| Gin and Tonic | Nate Kotcher | C Major | 0 | 8B | 128 BPM | ||
| Purple Haze Descending | Callum Norwich | A Major | 1 | 11B | 76 BPM | ||
| Endiósate Mujer | Daniele di Bonaventura, Michele Di Toro, Manuela Ravaglioli | F Major | 1 | 7B | 134 BPM | ||
| Appasionata Criminelle | Ole Amund Gjersvik, Thomas Nøkling, Stein Inge Brækhus, Eivind Austad, Nils Are Drønen, Are Ovesen | B♭ Major | 4 | 6B | 140 BPM | ||
| Il momento perfetto | Roberto Cipelli, Paolo Fresu | D Major | 1 | 10B | 75 BPM | ||
| First Mile | Jordan Raut | E♭ Major | 1 | 5B | 130 BPM | ||
| Moon Indigo Hours | Bill Edmonds Trio | A♭ Major | 4 | 4B | 100 BPM | ||
| La Hora De Las Mariposas | Jimmy Flower Sax | E♭ Major | 1 | 5B | 130 BPM | ||
| Nothing Personal | Franklin Schraut | E♭ Major | 1 | 5B | 130 BPM | ||
| Jazz for Sleeples Streets | Jazz & Co. | E♭ Major | 1 | 5B | 130 BPM | ||
| Prelude Opus 28 No. 4 | Louis Van Dijk Trio | C Major | 2 | 8B | 125 BPM | ||
| Hesitation Waltz | Thermon Gendler | C Major | 0 | 8B | 118 BPM | ||
| Isten veled Budapest te édes | Rúzsa Magdolna, Balázs János | E♭ Major | 1 | 5B | 130 BPM | ||
| L'importante è finire | Michele Di Toro | D Minor | 5 | 7A | 102 BPM | ||
| Wanted | The Lodger | E♭ Major | 1 | 5B | 130 BPM |