Gato Barbieri's 'Fake Ophelia' had a release date set for 1972. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Fake Ophelia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gato Barbieri's "Last Tango in Paris (Original Motion Picture Soundtrack)" album is number 5 out of 23. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Fake Ophelia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fake Ophelia by Gato Barbieri to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laura | Charlie Parker | G Major | 3 | 9B | 84 BPM | ||
| Adios - Part II | Gato Barbieri | C Minor | 7 | 5A | 110 BPM | ||
| Casas De Invierno | Candeias | D♭ Minor | 2 | 12A | 130 BPM | ||
| Almighty God | Arne Domnérus, Joya Sherrill | E♭ Major | 1 | 5B | 145 BPM | ||
| Finesse | John Klemmer | C Major | 2 | 8B | 113 BPM | ||
| Different Perspective | The Modernist Jazz Fusion Quintet | C Major | 4 | 8B | 120 BPM | ||
| Courtyard Portico | Linear Swing Jazz Club | G Minor | 1 | 6A | 61 BPM | ||
| Outubro (October) | Paul Desmond | G Major | 5 | 9B | 93 BPM | ||
| One of Us | The Greek Rapper Who Stole my Music | E♭ Major | 1 | 5B | 172 BPM | ||
| Love Doesn’t Leave | RocknRolo | F♯ Minor | 3 | 11A | 75 BPM | ||
| Deep Down | Tugdoh | B♭ Minor | 4 | 3A | 163 BPM | ||
| Maudet Et Ferchaux | Georges Delerue | A Minor | 1 | 8A | 119 BPM | ||
| Up and Down the Block | Zen Trio | F♯ Minor | 2 | 11A | 87 BPM | ||
| Dear Kathy | Benny Golson | B♭ Minor | 0 | 3A | 132 BPM | ||
| Valérie - Bande originale du film "Le samouraï" | François de Roubaix | D♭ Major | 1 | 3B | 109 BPM | ||
| Slow pour vibra et trombone - From "Le doulos" | Paul Misraki | C Minor | 1 | 5A | 80 BPM | ||
| La Vuelta | Sergio Mihanovich, Gato Barbieri | A♭ Major | 1 | 4B | 129 BPM | ||
| Carnavalito | Gato Barbieri | A♭ Minor | 5 | 1A | 122 BPM | ||
| La mort - Bande originale du film "À bout de souffle" | Martial Solal | E♭ Major | 4 | 5B | 118 BPM | ||
| Le cercle rouge | Eric Demarsan | D Minor | 4 | 7A | 119 BPM | ||
| Waterwheels | John Klemmer | G Major | 2 | 9B | 92 BPM | ||
| Solan's Way - The Assembly | Ola Kvernberg, Trondheim Symphony Orchestra | C Major | 1 | 8B | 61 BPM | ||
| Memories of Green | Blade Runner Soundtrack/The New American Orchestra | D Major | 1 | 10B | 131 BPM | ||
| Horizonte Sonoro | SonderRs | D Minor | 7 | 7A | 121 BPM | ||
| Pick-Up | Sergio Mihanovich, Gato Barbieri | D♭ Major | 6 | 3B | 144 BPM |