On January 1, 2011, the song "Man Maila Aur Tan Ko" was released by Anup Jalota, Chandra Kamal. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 48 in Anup Jalota Bhajan Sandhya by Anup Jalota, Chandra Kamal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Man Maila Aur Tan Ko is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Man Maila Aur Tan Ko by Anup Jalota, Chandra Kamal is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Darshan Pyasi Bai Sugna - Original | Navratansinh Raval, Kushal Barath | F Minor | 9 | 4A | 83 BPM | ||
| Tera Mission Badta Rahe | Jagat Singh, Manya Narang, Kamal Khan | G Major | 4 | 9B | 127 BPM | ||
| Prem Mudita Mana Se | Ramakrishna Math, Monks of the Ramakrishna Order | A♭ Major | 5 | 4B | 100 BPM | ||
| Fariyadi | Adarsh Dadhich | E♭ Major | 5 | 5B | 120 BPM | ||
| Aman Ka Jhanda | Arvind Kumar, Nirdhan Kirtapur | E♭ Minor | 5 | 2A | 92 BPM | ||
| Aarti Kunj Behari Ki | Manish Tiwari | A♭ Major | 7 | 4B | 133 BPM | ||
| Narmada Aarti | Mithai Lal Chakraborty | A♭ Major | 6 | 4B | 101 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Aadmi Pyar ka Ik Shokh Mujassam | Sant Nirankari Mission, Maghar Ali | G Major | 4 | 9B | 127 BPM | ||
| Awat Hohi Baba | Gorelal Barman, Ratan Sabiha | E Major | 6 | 12B | 152 BPM | ||
| Dwar Pe Thado Langooriya | Gyanendra Sharma | A♭ Major | 7 | 4B | 78 BPM | ||
| Jai Sai Ram Jai Sai Ram | Sri Sathya Sai | D Minor | 7 | 7A | 108 BPM | ||
| Yashoda Tera Lalna | Vinod Agarwal | F♯ Major | 6 | 2B | 82 BPM | ||
| Aao Gopal Taras Rahe Nain | Vinod Agarwal | E♭ Minor | 8 | 2A | 99 BPM | ||
| Jev Jevan Jagat Me | Rajesh Goswami | F♯ Minor | 7 | 11A | 126 BPM | ||
| Achyutam Keshavam | Anil Hanslas | F♯ Minor | 7 | 11A | 89 BPM | ||
| Hey Giridhari Banke Bihari | Alka Yagnik | B Major | 8 | 1B | 165 BPM | ||
| Bharat Bhai Se Kapi Se Uran | Anup Jalota | B Minor | 8 | 10A | 79 BPM | ||
| Jara Itna Bata De | Manish Tiwari | A♭ Major | 4 | 4B | 127 BPM | ||
| Dulha Bana Hai Baba Ujjain Ki Nagri Me | Shree Darshan, Nitin Bagwan | D♭ Minor | 4 | 12A | 80 BPM | ||
| Hamen To Pyare Hain Shree Ram | Chandan Dass | B Major | 5 | 1B | 151 BPM | ||
| Hari ne Bhajta | NARAYANSWAMI | F Minor | 7 | 4A | 131 BPM | ||
| Duniya Ka Bada Sataya Hoon | Shresth Dixit | D♭ Major | 4 | 3B | 78 BPM | ||
| Tune Ajab Racha Bhagwan | Upasana Mehta | G Major | 8 | 9B | 90 BPM | ||
| Sharda bhawani hai naam | Rakesh Tiwari | E♭ Major | 5 | 5B | 126 BPM |