"Contact Lost" by Darzack had its release date on December 12, 2025. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Darzack's "Lumen" album is number 1 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Contact Lost's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Contact Lost by Darzack to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Time Left | MAURER | G Major | 9 | 9B | 142 BPM | ||
| HOME | MAURER | B Minor | 8 | 10A | 145 BPM | ||
| Leave Me In My Broken Dreams | Raär | G Minor | 7 | 6A | 121 BPM | ||
| Clouds Over My Mind | Butschi | E Minor | 6 | 9A | 155 BPM | ||
| Miyuki & Patrizia | Anetha | F♯ Minor | 10 | 11A | 134 BPM | ||
| Was hätte werden können? | Maeksll | G Major | 8 | 9B | 146 BPM | ||
| Ouverture | RAUMM | D Major | 4 | 10B | 144 BPM | ||
| Kenopsia | Minimum Syndicat | B Minor | 10 | 10A | 130 BPM | ||
| How To Fake Success | Hadone | G Major | 10 | 9B | 134 BPM | ||
| Serenity - Vitalic Remix | Popof, Vitalic | B♭ Minor | 6 | 3A | 131 BPM | ||
| De mon âme à ton âme | KOMPROMAT, Vitalic, Rebeka Warrior, Adele Haenel | D Minor | 7 | 7A | 160 BPM | ||
| Deine Augen | Maeksll | D♭ Major | 4 | 3B | 147 BPM | ||
| Depths For Two | Hadone | F♯ Minor | 10 | 11A | 155 BPM | ||
| Celesta 33 | Stef Mendesidis | G Major | 9 | 9B | 140 BPM | ||
| Monolith | Benjamin Damage | D♭ Major | 4 | 3B | 126 BPM | ||
| Le Chant Des Tempêtes | Abr. | D Minor | 7 | 7A | 145 BPM | ||
| Addiction | Obsimo | E Minor | 8 | 9A | 120 BPM | ||
| Time Issues | Shelter 12 | D♭ Minor | 5 | 12A | 156 BPM | ||
| In:Out (La La La) | Romane Santarelli | A Minor | 9 | 8A | 132 BPM | ||
| Heitt | nthng | D Major | 6 | 10B | 138 BPM | ||
| But At What Cost | Toobris | F♯ Minor | 10 | 11A | 142 BPM | ||
| Keepin' U Close | MAURER | D♭ Major | 9 | 3B | 145 BPM | ||
| Iruka | Alarico | G Major | 9 | 9B | 141 BPM | ||
| 05h33 (Adagio, Piano Sonata No. 14, "Moonlight") - Beethoven Remixed | Anna Moreau, Anetha | E Major | 9 | 12B | 150 BPM | ||
| Fading Memories | Darzack | F Minor | 7 | 4A | 102 BPM |