Gustavo Hernández's ' "Flauta Sola" was released on its scheduled release date, October 1, 2000. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Se Me Escapa el Gato". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Argentina. Based on our statistics, Flauta Sola's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Flauta Sola by Gustavo Hernández having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rose Room | Songs of Birdland | E♭ Major | 0 | 5B | 141 BPM | ||
| Valsecito (de la Suite Porteña) | Ricardo Liniado, Alejandro Santos, Armando de la Vega, Juan Martinez, Gustavo Hernández, Bucky Arcella, Osvaldo Avena | D Minor | 4 | 7A | 179 BPM | ||
| Dialogue for Trumpet & Double-Bass | Maya Badian, Mircea Badian | D Major | 2 | 10B | 165 BPM | ||
| Master Suite: I. Bienvenido | Ricardo Liniado, Juan Martinez, Gustavo Hernández, Bucky Arcella, Osvaldo Avena, Daniel Lifschitz | G Minor | 3 | 6A | 160 BPM | ||
| Como aceite | Gabriel Andrés Gallegos | E♭ Major | 0 | 5B | 75 BPM | ||
| Puro Amor | Kalimarimba | G Major | 2 | 9B | 150 BPM | ||
| Marching Trombone | Massimo Pirone | B♭ Major | 1 | 6B | 108 BPM | ||
| Jazz Faster | Saxophone Jazz | D Major | 0 | 10B | 73 BPM | ||
| 101 - Cantemos Juntos Louvores a Deus | Tiago Daniel | E♭ Major | 2 | 5B | 140 BPM | ||
| Balanço Em Mi | José Barrense-Dias | E Major | 3 | 12B | 120 BPM | ||
| Caballo Caminando | Desestresse | B♭ Minor | 5 | 3A | 91 BPM | ||
| Xilofono | Emozione d'Estate | C Minor | 2 | 5A | 74 BPM | ||
| Drums To Crush | Trapper Fade | G Major | 0 | 9B | 105 BPM | ||
| Tocata Sax Barítono - Hino 378 Grandioso És Tu | Samuel Baritonista | C Major | 3 | 8B | 96 BPM | ||
| Carnavalito del Duende | Gustavo Hernández | G Major | 2 | 9B | 93 BPM | ||
| Segunda (de la Suite Folklórica) | Ricardo Liniado, Alejandro Santos, Armando de la Vega, Juan Martinez, Gustavo Hernández, Bucky Arcella, Osvaldo Avena | A Minor | 2 | 8A | 132 BPM | ||
| Instrumentos Musicales | Musica Clasica | B Minor | 1 | 10A | 100 BPM | ||
| Flores Favoritas | Flores Favoritas | A♭ Major | 4 | 4B | 100 BPM | ||
| Predicting Future | Freddie Colonal | A Minor | 1 | 8A | 108 BPM | ||
| Cuenta cuatro 27 | el de tetillas | B Major | 9 | 1B | 95 BPM | ||
| Vals Criollo | Manos Morenas | D♭ Major | 5 | 3B | 91 BPM | ||
| No-one Waltz | Freddie Colonal | C Major | 0 | 8B | 133 BPM | ||
| Past Thoughts | Freddie Colonal | C Major | 0 | 8B | 125 BPM | ||
| The Muse | Freddie Colonal | C Major | 1 | 8B | 84 BPM | ||
| Vem Atender ao Seu Chamado | Tiago Daniel, Playback CCB | G Major | 0 | 9B | 105 BPM |