Nancy Wilson's 'Gee Baby, Ain't I Good To You' had a release date set for January 1, 1966. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Gee Baby, Ain't I Good To You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Tender Loving Care". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Gee Baby, Ain't I Good To You is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Gee Baby, Ain't I Good To You by Nancy Wilson having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There Is No Greater Love | Betty Carter | F Major | 0 | 7B | 113 BPM | ||
| Lover come back to me | Mildred Bailey | E Minor | 1 | 9A | 78 BPM | ||
| Our Love Is Here To Stay | Dinah Washington | C Major | 1 | 8B | 171 BPM | ||
| Two Sleepy People | Carmen McRae | F Major | 1 | 7B | 140 BPM | ||
| The Nearness Of You | George Shearing Quintet, Nancy Wilson | E♭ Minor | 0 | 2A | 111 BPM | ||
| Tea For Two | Sarah McKenzie | D♭ Major | 5 | 3B | 105 BPM | ||
| Stormy Weather (Keeps Rainin' All The Time) | Betty Carter | F Major | 2 | 7B | 62 BPM | ||
| Falling In Love With Love | Helen Merrill | D Minor | 2 | 7A | 144 BPM | ||
| Someone To Watch Over Me | Ella Fitzgerald | G Major | 1 | 9B | 98 BPM | ||
| Show Me The Way To Go Home | Julie London | B♭ Major | 2 | 6B | 87 BPM | ||
| I've Drawn Your Face | Rachael & Vilray | E♭ Major | 2 | 5B | 81 BPM | ||
| Heart & Soul | Mel Torme & The Mel-Tones | E♭ Major | 0 | 5B | 90 BPM | ||
| Detour Ahead | Irene Kral | G Major | 1 | 9B | 170 BPM | ||
| I Love Paris | Annie Ross | B♭ Major | 1 | 6B | 140 BPM | ||
| A Sleepin' Bee | Nancy Wilson, Cannonball Adderley, Sweet | F Minor | 1 | 4A | 63 BPM | ||
| The Look of Love (From "Casino Royale") | Morgana King | D Minor | 3 | 7A | 108 BPM | ||
| Lover Man (Oh Where Can You Be) | Blossom Dearie | G Minor | 1 | 6A | 99 BPM | ||
| Black Coffee | Sarah Vaughan | D♭ Major | 2 | 3B | 94 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| All of You | Ella Fitzgerald | A♭ Major | 4 | 4B | 141 BPM | ||
| Something To Live For | Carmen McRae | C Major | 1 | 8B | 84 BPM | ||
| Centerpiece | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 105 BPM | ||
| My Foolish Heart | Carmen McRae | F♯ Major | 2 | 2B | 78 BPM | ||
| Stardust | Ben Webster | D♭ Major | 0 | 3B | 182 BPM | ||
| Surrey With The Fringe On Top | Blossom Dearie | A Major | 1 | 11B | 89 BPM |