Tod Machover's 'Begin Again Again...for Hypercello Solo - Very Rapid And Precise' had a release date set for April 4, 2006. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Tod Machover's "Machover: Hyperstring Trilogy" album is number 5 out of 21. On top of that, United States appears to be the country where this track was created. Based on our statistics, Begin Again Again...for Hypercello Solo - Very Rapid And Precise's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Begin Again Again...for Hypercello Solo - Very Rapid And Precise by Tod Machover to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Re-Structures | Tod Machover, Quattro Mani | E Minor | 3 | 9A | 134 BPM | ||
| Ingram Marshall (b. 1942): Fog Tropes | Ingram Marshall, John Adams, Orchestra of St. Luke's | D Major | 1 | 10B | 130 BPM | ||
| SIN DOLOR | JhosmelCruz | B Major | 8 | 1B | 79 BPM | ||
| Rothko Chapel 3 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| 1ere Suite: Allemande | Johann Julius Sontag von Holt Sombach, Thomas Bloch | D Minor | 0 | 7A | 70 BPM | ||
| Ness Ness | Oscap | A♭ Major | 0 | 4B | 122 BPM | ||
| The Crawling Swarm | Bendy | D♭ Major | 1 | 3B | 147 BPM | ||
| Passion Catalyst | Lily Jimeth | E♭ Minor | 2 | 2A | 149 BPM | ||
| Evocation 3 - Original Mix | Geoffrey D'Ombrain | C Minor | 2 | 5A | 89 BPM | ||
| Fly Has Shown | AKRIANE | E Minor | 1 | 9A | 120 BPM | ||
| Everlasting Love | Miles Spread | G Major | 1 | 9B | 75 BPM | ||
| Stephen F. Williams | Redkattseven | C Major | 3 | 8B | 68 BPM | ||
| Divers | Graham Lambkin | E♭ Minor | 2 | 2A | 92 BPM | ||
| Secularitorium | Stuart Styron | F Major | 1 | 7B | 79 BPM | ||
| Dewdrop Dances | Conard Sandpiper | A Minor | 1 | 8A | 86 BPM | ||
| From Ruins To Rise | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| Orchestral Arches: VII. Simultaneous Mobiles & VIII. Towards Nirvana (Live) | Maya Badian, National Arts Centre Orchestra, Gary Kulesha | D♭ Major | 2 | 3B | 90 BPM | ||
| Act I: Trial 1, "All Men Are Equal" | Philip Glass Ensemble | G Major | 0 | 9B | 99 BPM | ||
| HOMECHAS 021 | Taram Tula | B♭ Minor | 3 | 3A | 140 BPM | ||
| Old Style | Nazec | F Major | 1 | 7B | 81 BPM | ||
| Spacewalk 3 | La Burro Freeman Commercials | C Major | 2 | 8B | 89 BPM | ||
| Boo! | Wojciech Kilar | E Major | 2 | 12B | 76 BPM | ||
| The Motorcyclist | Wojciech Kilar | B Minor | 5 | 10A | 95 BPM | ||
| Wind Chime Sound to Relax Part 14 - No Fade, Loopable | Banyan Son | F Minor | 0 | 4A | 85 BPM |