On September 20, 1986, the song "Mai tore roop hazar" was released by Rakesh Tiwari. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 10 in DEVI MAHIMA VOL 1 by Rakesh Tiwari. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Mai tore roop hazar is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Mai tore roop hazar by Rakesh Tiwari is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ram Nam Tu Bhaj Le Pradi | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Kavan So Kaj Kathin Jag Mahi | Anil Amrit Rajbhar | B Minor | 7 | 10A | 75 BPM | ||
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Dadaji Dhuni Wale Hareharji | Vikas Vishwakarma | D♭ Major | 4 | 3B | 86 BPM | ||
| Aa Ja Be Durga Maiya | Dukalu Yadav | A♭ Minor | 9 | 1A | 176 BPM | ||
| Aaye Tumhre Dwar He Ganraja | Shahnaz Akhtar | G Major | 7 | 9B | 159 BPM | ||
| Aarti Tor Utaro Ho Ma | Dukalu Yadav | F Minor | 8 | 4A | 147 BPM | ||
| Leke Chalo Palki Shirdi Ke Nath Ki | Sachidanand Appa | A♭ Major | 5 | 4B | 130 BPM | ||
| Mere Bhole Baba Ko Anadi Mat | Manish Tiwari | F♯ Major | 4 | 2B | 88 BPM | ||
| Sona Rupa Ka Ghada (Jhalariya) | Vaishali Sen, Motha Kharte | G Major | 5 | 9B | 190 BPM | ||
| Hai Matwala Mera Rakhwala | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 7 | 7B | 173 BPM | ||
| Racha Hai Shristi Ko Jis Prabhu Ne | Kashyap Vora | D Major | 6 | 10B | 93 BPM | ||
| Ek Bar Jana Hai Jana Sai Ki Nagariya | Paras Jain | F♯ Major | 9 | 2B | 122 BPM | ||
| Chandan Ka Tune Tilak Lagaya | Sailesh Rana | B♭ Major | 7 | 6B | 109 BPM | ||
| Yashoda Ka Lal Ye to Krishna Kanhaiya | Shridhay Shri Mridul krishna shastri ji maharaj | E♭ Major | 8 | 5B | 90 BPM | ||
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Tara Devi | A Major | 8 | 11B | 169 BPM | ||
| Mere Sai Pyare | Bhai Ajay | F♯ Minor | 5 | 11A | 85 BPM | ||
| Mor Di Sawari Kar Aaya | Dhiraj Sharma | F♯ Major | 5 | 2B | 84 BPM | ||
| Maatge He Bagiya Ma Phool | Mamta Chandrakar, Sonu Nigam, Mithlesh, Purvi Chandrakar | E Major | 6 | 12B | 78 BPM | ||
| Ram Naam Bhajale Pyare | Sarvesh Mishra | B♭ Major | 3 | 6B | 127 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| શંભુ શરણે પડી | Shambhu Sharne Padi | સુપર હિટ શીવ ભજન | Hari cassettes | C Minor | 5 | 5A | 188 BPM | ||
| Gurudev Se Nirala Koi Aur Nahi Re | Sant Shri Asharamji Bapu | B♭ Minor | 6 | 3A | 136 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Baba Bam Lahari | Manish Tiwari | B Major | 5 | 1B | 117 BPM |