Arjun R. Meda, Vilash Parmar's ' "Dodi Ne Aavje Pase Part 7" was released on its scheduled release date, December 21, 2025. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 8 out of 9 in Dodi Ne Aavje Pase by Arjun R. Meda, Vilash Parmar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Dodi Ne Aavje Pase Part 7 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Dodi Ne Aavje Pase Part 7 by Arjun R. Meda, Vilash Parmar is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barahkhari | Balli Mohanwadi, Pooja Dotasara | E♭ Major | 9 | 5B | 148 BPM | ||
| Sona Chandi Ne Dil | Piru Bhai Solanki | A Major | 8 | 11B | 144 BPM | ||
| Relgadi Ma Kuvatereeya Lavo | Hashiram Alawe | B Minor | 9 | 10A | 145 BPM | ||
| Dungarpur Na Ghaghra Ni Kimat | Jayantilal Dindor, Vinod Garasiya | B Major | 8 | 1B | 129 BPM | ||
| नारीयल के पानी तोहार जवानी | Bhojpuri Gana | A♭ Major | 10 | 4B | 135 BPM | ||
| Lal Dupatto Ude Hava Ma | Arjun R. Meda | A Minor | 7 | 8A | 120 BPM | ||
| Teri Lal Chunar Pe Chhori | Satto Gurjar | A♭ Major | 10 | 4B | 146 BPM | ||
| Has Has Ke Vida Kara Jaiyo | Satto Gurjar | C Major | 10 | 8B | 146 BPM | ||
| Dil Thi Dukhi | Mehul S Meda | G Major | 9 | 9B | 110 BPM | ||
| Polu Dukeru Fulailu Vo Muche Vo Samle Part 2 | Piru Solanki, Chetan Kanesh, Pratap Solanki | F♯ Major | 8 | 2B | 144 BPM | ||
| Narmada Cancel Part 9 | Arjun R. Meda | F♯ Major | 9 | 2B | 119 BPM | ||
| Meline Jati Rahi Juvanay | Sandip Rathva Khatash | F♯ Major | 8 | 2B | 136 BPM | ||
| Badmasi Koi Khel Nahi | Ranjeet Gurjar | B Minor | 8 | 10A | 112 BPM | ||
| Hela Pela Ne Jova Ni Aadat | Jeliya Bhuriya | F♯ Major | 6 | 2B | 180 BPM | ||
| Chhori Fare Chhe Ful Form Ma | V K Bhuriya | E♭ Major | 9 | 5B | 116 BPM | ||
| Bam Bam Bole Narmada Kem Na Bole Part 4 | Arjun R. Meda | E♭ Minor | 7 | 2A | 115 BPM | ||
| Pandit K Lele Ghoos Byah Mero Bana Ghegli Gyaras Ko | Bhupendra Khatana, Rohatash Fauji Helak | B Minor | 10 | 10A | 112 BPM | ||
| Rupni Tari Jaho Jalali Timli | Parul Rathva | G Minor | 9 | 6A | 132 BPM | ||
| Mara Havajo Ni Boom Chare Kor Pade Che-Bajar Ma Boom | Narvat Rathva | F♯ Major | 9 | 2B | 132 BPM | ||
| Nandi Khari Ke Dhava Pe Bharat Mandriyo | Sharwan Racheti | D Major | 8 | 10B | 110 BPM | ||
| Mari Narmada Che Welcome | Arjun R. Meda, Shilpa Patel | F Minor | 6 | 4A | 100 BPM | ||
| Machine Track 6 | Arjun R. Meda | A♭ Major | 10 | 4B | 117 BPM | ||
| Naar Tero Face Gajab Ko | Satto Gurjar | D♭ Major | 10 | 3B | 140 BPM | ||
| Raja Raat Fati Dharti Si | Bhupendra Khatana | C Major | 10 | 8B | 122 BPM | ||
| Kachi Paki Keri Khava Aave Vevon Pt.2 | Navji Parghi | F♯ Major | 8 | 2B | 115 BPM |