Chris Pickering's 'Headlines' had a release date set for 2012. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 6 in Corners by Chris Pickering. Headlines is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Headlines by Chris Pickering is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saturday’s Song | Hiss Golden Messenger | F♯ Minor | 6 | 11A | 125 BPM | ||
| Just Like You | Gill Landry | E♭ Major | 5 | 5B | 111 BPM | ||
| Better Way | Andrew Combs | B♭ Minor | 6 | 3A | 119 BPM | ||
| Big Wheel | Cass McCombs | C Minor | 6 | 5A | 84 BPM | ||
| Bullets & Rocks | Calexico | C Minor | 7 | 5A | 141 BPM | ||
| Fergus Falls | Field Report | A Major | 4 | 11B | 95 BPM | ||
| The High Road | Ryley Walker | E♭ Major | 4 | 5B | 73 BPM | ||
| Quiet Corners & Empty Spaces | The Jayhawks | D♭ Minor | 8 | 12A | 115 BPM | ||
| Mercy | Eric Bachmann | F Major | 6 | 7B | 108 BPM | ||
| HWY | Roadkill Ghost Choir | E♭ Minor | 7 | 2A | 125 BPM | ||
| The Weather | Paper Pilots | B Minor | 7 | 10A | 104 BPM | ||
| All That You Know | Los Colognes | D Major | 9 | 10B | 139 BPM | ||
| Let Me Lose | Jake Xerxes Fussell | E Major | 5 | 12B | 167 BPM | ||
| Over Everything | Courtney Barnett, Kurt Vile | B Minor | 9 | 10A | 120 BPM | ||
| Low Life | Jonah Tolchin | A Major | 6 | 11B | 101 BPM | ||
| Man Like Me | Dylan LeBlanc | F♯ Major | 4 | 2B | 108 BPM | ||
| White Horses | Darlingside | G Major | 5 | 9B | 76 BPM | ||
| Santa Fe | Samantha Crain | B♭ Major | 4 | 6B | 71 BPM | ||
| Wish Me Luck | Chuck Prophet | A Major | 7 | 11B | 141 BPM | ||
| Full Moon Tide | Steve Gunn | E Major | 8 | 12B | 138 BPM | ||
| Till The Town Goes Dark | Aaron Lee Tasjan | E Major | 6 | 12B | 116 BPM | ||
| Til Stone Day Comes | The Skiffle Players | G Major | 5 | 9B | 76 BPM | ||
| Exit 353 | Damien Jurado | B♭ Minor | 8 | 3A | 120 BPM | ||
| Stone Age | David Ramirez | A Minor | 7 | 8A | 166 BPM | ||
| Home (Leave the Lights On) | Field Report | D Major | 6 | 10B | 102 BPM |