"Ghosts of Leith" by Blue Rose Code had its release date on February 18, 2013. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Ghosts of Leith's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "North Ten". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ghosts of Leith is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ghosts of Leith by Blue Rose Code having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Higher We Aspire | Seth Lakeman | E Major | 7 | 12B | 135 BPM | ||
| Now You Need Me | Siobhan Miller | C Major | 3 | 8B | 95 BPM | ||
| Birch Lines | Salt House | F Major | 5 | 7B | 135 BPM | ||
| Ghost | Mick Flannery, Susan O'Neill | D Major | 2 | 10B | 161 BPM | ||
| No Place To Hide | Declan O'Rourke | D Major | 3 | 10B | 92 BPM | ||
| Mist | Heidi Talbot | E♭ Major | 2 | 5B | 99 BPM | ||
| Sweetest Drop | Niamh Regan | F♯ Major | 2 | 2B | 90 BPM | ||
| Don’t Let me Stand on My Own | Imelda May, Niall McNamee | A Major | 3 | 11B | 177 BPM | ||
| Song to the Siren | Kitty Macfarlane | D Major | 1 | 10B | 100 BPM | ||
| Indigo | Katherine Priddy | C Major | 3 | 8B | 90 BPM | ||
| Horizon | Salt House | A Major | 0 | 11B | 80 BPM | ||
| Passing Places | Blue Rose Code, Kathleen MacInnes | D Major | 2 | 10B | 120 BPM | ||
| Pacific Northwest | Martyn Joseph | F♯ Minor | 2 | 11A | 91 BPM | ||
| Gentle on My Mind | Luka Bloom | B♭ Major | 2 | 6B | 94 BPM | ||
| Tomorrow Morning | The Blue Nile | E Minor | 3 | 9A | 142 BPM | ||
| Chapel Porth Beach | Martyn Joseph | E Major | 3 | 12B | 135 BPM | ||
| While the Whole World Sleeps | Siobhan Miller | B Minor | 5 | 10A | 122 BPM | ||
| Tug O' War | Emma Langford | A Major | 2 | 11B | 120 BPM | ||
| Brave Cedars & Pied Wagtails | Blue Rose Code | F♯ Major | 5 | 2B | 85 BPM | ||
| And I Love You So | Pauline Scanlon | A Major | 2 | 11B | 148 BPM | ||
| I Want You to Want Me | Paul Brady | A Major | 3 | 11B | 147 BPM | ||
| King & Country | Seth Lakeman | E Major | 4 | 12B | 145 BPM | ||
| Mercury | Siobhan Miller | C Major | 6 | 8B | 113 BPM | ||
| Inversnaid | Kitty Macfarlane | D♭ Major | 5 | 3B | 96 BPM | ||
| Galileo (Someone Like You) | Declan O'Rourke | A Major | 3 | 11B | 82 BPM |