"Canto I, Fortuna innamorata: Recercata XII" by Francesco da Milano, Xavier Diaz-Latorre had its release date on July 16, 2021. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Canto I, Fortuna innamorata: Recercata XII's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 33 in Francesco da Milano: Libro della Fortuna (1536) by Francesco da Milano, Xavier Diaz-Latorre. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Canto I, Fortuna innamorata: Recercata XII is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Canto I, Fortuna innamorata: Recercata XII by Francesco da Milano, Xavier Diaz-Latorre is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
| Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Galliard (no.21) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | B Major | 0 | 1B | 134 BPM | ||
| Fantasie III | Albert de Rippe, Paul O'Dette | D Minor | 0 | 7A | 116 BPM | ||
| Villanos | Francisco Guerau, Gordon Ferries | D♭ Major | 1 | 3B | 129 BPM | ||
| In Nomine | Thomas Tallis, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 93 BPM | ||
| Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM | ||
| Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 92 BPM | ||
| Second book (1639): Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 0 | 11A | 93 BPM | ||
| Première suite à 3 violes in D Major: No. 1, Prélude | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 113 BPM | ||
| Pieces in D: La Bonita | Israel Golani | A♭ Major | 0 | 4B | 100 BPM | ||
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
| Primo Libro delle Musiche: Ch’amor sio nudo | Francesca Caccini, Les Kapsber'girls | B Major | 2 | 1B | 108 BPM | ||
| La zanetta padovana | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 0 | 7A | 71 BPM | ||
| Der ander Theil des Lautenbuchs: Ein welscher tantz Wascha mesa | Hans Neusidler, Ronn McFarlane | C Major | 0 | 8B | 65 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Sonate concertate in stil moderno, Book 1: No. 6, Sonata à 2 | Dario Castello, Ecco la musica | D♭ Major | 1 | 3B | 114 BPM | ||
| Sua Corrente | Francesco Corbetta, Pierre Pitzl, Private Musicke | F♯ Major | 0 | 2B | 121 BPM | ||
| Gaspar Sanz - Zarabanda - Arr. An: Zarabanda - After Gaspar Sanz | Gaspar Sanz, Andreas Nachtsheim, Klaus Mader | D♭ Major | 1 | 3B | 154 BPM | ||
| Cecchina (Corrente) | Bellerofonte Castaldi, Evangelina Mascardi | D Minor | 1 | 7A | 90 BPM | ||
| Prelude, Fugue and Allegro in E-Flat Major, BWV 998: II. Fuga | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
| Canto II, Saggia fortuna: Recercata VIII | Francesco da Milano, Xavier Diaz-Latorre | E♭ Major | 1 | 5B | 133 BPM | ||
| Basse-danse Jouissance vous donneray (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Thoinot Arbeau, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
| A Plaine Song for Two Lutes | Thomas Robinson, Lynda Sayce, Matthew Spring | B♭ Major | 2 | 6B | 127 BPM |