"5 Short Pieces: II. Folk Tune" by Percy Whitlock, Roderick elms had its release date on 2010. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Gentle Art of Percy Whitlock (Sortie and Other Organ Music)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 5 Short Pieces: II. Folk Tune is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Short Pieces: II. Folk Tune by Percy Whitlock, Roderick elms having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Canzon vigesimanona, F 8.54 | Girolamo Frescobaldi, Le Concert Spirituel, Herve Niquet | E Major | 2 | 12B | 125 BPM | ||
| Minuetto | Eugène Gigout, David Sanger | F Minor | 1 | 4A | 123 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM | ||
| Psalm 77 vers 8 | André Knevel | G Minor | 2 | 6A | 70 BPM | ||
| Duruflé: 4 Motets sur des thèmes grégoriens, Op. 10: No. 1, Ubi caritas et amor | Maurice Duruflé, Winchester Cathedral Choir, David Hill | E♭ Major | 0 | 5B | 55 BPM | ||
| Messe Salve Regina: III. Sanctus | Olivier Latry, Lionel Sow, Yves Castagnet, Maitrise Notre-Dame De Paris | A Major | 4 | 11B | 80 BPM | ||
| Organ Sonata in C Minor: III. Scherzetto | Percy Whitlock, Thomas Trotter | B♭ Minor | 0 | 3A | 97 BPM | ||
| Morocco Wife | Mikko Finneman | B Minor | 1 | 10A | 84 BPM | ||
| Suite No.1 from Pièces de clavecin, Op.1: Andante | Joseph-Hector Fiocco, Ian Tracey | E Minor | 0 | 9A | 66 BPM | ||
| Thalben-Ball: Elegy | George Thalben-Ball, Ian Tracey | G Minor | 0 | 6A | 98 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Alleluia | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 129 BPM | ||
| Messiah, HWV 56: He shall feed His flock like a shepherd (Arr. S. Johannsen) | George Frideric Handel, Dorthe Zielke, Søren Johannsen | D Major | 1 | 10B | 80 BPM | ||
| Psalm 119: Vers 17 "Leer mij, O Heer de weg door U" - Bewerking | John Propitius | F Major | 0 | 7B | 79 BPM | ||
| Salvator mundi I | Quire of Voyces | A♭ Minor | 3 | 1A | 94 BPM | ||
| Psalm 6 "O Lord Rebuke Me Not" | Samuel Sebastian Wesley, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | A Minor | 0 | 8A | 113 BPM | ||
| What are children to the Lord? | Kim André Arnesen, Thomas Berg-Juul, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders | A♭ Major | 0 | 4B | 102 BPM | ||
| A brief story of Peter Abelard (verson for soprano saxophone and organ) | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Four Extemporisations in B Minor: Divertimento | Percy Whitlock, Ben van Oosten | B Minor | 0 | 10A | 96 BPM | ||
| Burial Service: No. 1, I Am the Resurrection | William Croft, The Choir of Sidney Sussex College, Cambridge, David Skinner | F Major | 1 | 7B | 72 BPM | ||
| Magnificat VIII toni | Orlande de Lassus, Sistine Chapel Choir, Massimo Palombella | C Major | 1 | 8B | 82 BPM | ||
| Deutsche Messe, D. 872: III. Zum Evangelium und Credo. Nicht zu langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| Quis est homo | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | D Major | 2 | 10B | 113 BPM | ||
| Holst: 6 Choruses, Op. 53: No. 6, Before Sleep | Gustav Holst, Baccholian Singers of London, English Chamber Orchestra | C Major | 1 | 8B | 111 BPM |