Rohit Tiwari Baba's ' "Hanuman Ki Sharan" was released on its scheduled release date, November 1, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Hanuman Ki Sharan and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Hanuman Ki Sharan is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hanuman Ki Sharan by Rohit Tiwari Baba to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saans Ban Ke | Priyanshu Pandey | A♭ Major | 9 | 4B | 135 BPM | ||
| Duniya Mei Dev Hazaro Hain Bajrang Bali Ka Kya Kehna | Chanchal Prajapati | F Minor | 10 | 4A | 77 BPM | ||
| Rammay Hua Ayodhya Dham - Ram Bhajan | Govind Ojha, Khushboo Jain | F Major | 8 | 7B | 104 BPM | ||
| Gunatit Dhruv Taaro Chhe | Jayesh Gandhi, Divyang Ray | F♯ Major | 8 | 2B | 156 BPM | ||
| 84 Laakh Mantron Ka Jo Sartaj Hai | Roopesh Jain | G Minor | 8 | 6A | 105 BPM | ||
| Aayi Gaye Raghunandan | Amrita Chaturvedi, Upadhyay | D♭ Major | 9 | 3B | 144 BPM | ||
| Purpose Karange | Inder Sufi | D Minor | 5 | 7A | 77 BPM | ||
| Nati Geet Mala -2 | Dr Madan Jhalta, Rohini Dogra | A♭ Major | 10 | 4B | 144 BPM | ||
| Mharo Pillo Pillo Babo | Vishi Saurabh Sharma | F Major | 4 | 7B | 76 BPM | ||
| Mhara O Majisa | Sonu Sisodiya | A♭ Major | 8 | 4B | 80 BPM | ||
| Happy Saraswati Puja | Bhakt Jandar | G Minor | 8 | 6A | 91 BPM | ||
| Dekhat Rahithanv Radda - From''dhanesh Ke Aaradhna" | Sunil Soni, Babita Goti | A♭ Minor | 10 | 1A | 130 BPM | ||
| Dil Kho Gaya Vrindavan Mein | Pushpendra Chauhan | B♭ Major | 6 | 6B | 87 BPM | ||
| Manjil Badi Dur Hai | Amresh Khatik | E♭ Minor | 4 | 2A | 144 BPM | ||
| Kab Se Bula Raha Hu | Piyush Shukla | E Minor | 6 | 9A | 75 BPM | ||
| Door Na Rehna Baba | Rakesh Kumar Sharma, Dev Sharma | F♯ Major | 5 | 2B | 96 BPM | ||
| Ram Ramaiya | Sanatana Sankirtan, Shyam Bihari Das, JayShree | F♯ Major | 8 | 2B | 116 BPM | ||
| Hey Murlidhar Chhaliya Mohan | Sejal Keshari | G Minor | 5 | 6A | 150 BPM | ||
| Satguru Mujh Par Mehar Karo | Radha Swami Satsang Dinod | E Major | 8 | 12B | 90 BPM | ||
| Yeh Jo Halka Halka Saroor Hai | Haniya Rehman, Aariz Khan | G Minor | 1 | 6A | 148 BPM | ||
| Tere Bharose Guru Ji | Sonia Arora | E♭ Minor | 7 | 2A | 74 BPM | ||
| Maiya Ri Maiya Ek Khilona Chota Sa Dilwade - Hindi | Chanchal Prajapati, Naman Gujral | B Minor | 8 | 10A | 126 BPM | ||
| Bheruji Kyu Na Aave Re | Nahar Sisters | D♭ Major | 10 | 3B | 135 BPM | ||
| Buru Songha | Raju Singh Koda, Champarani | D♭ Major | 8 | 3B | 114 BPM | ||
| Kasam Se Kasam Se | Naresh Pancholi, Hema Devi | D♭ Minor | 9 | 12A | 140 BPM |