""With Deep Regret..."" by George Fenton had its release date on October 1, 1990. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. "With Deep Regret..."'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Fenton's "Memphis Belle (Original Motion Picture Soundtrack)" album is number 7 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, "With Deep Regret..."'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "With Deep Regret..." by George Fenton to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sand Between Stars | Joseph R Dolan, Ghibli | A Major | 3 | 11B | 142 BPM | ||
| Trying To Relate | George Fenton | C Major | 0 | 8B | 97 BPM | ||
| Bayeux Tapestry | Thomas Newman | E♭ Minor | 2 | 2A | 168 BPM | ||
| Hope at the End of the World | Stephan Zacharias | D Minor | 1 | 7A | 84 BPM | ||
| Hana's Curse | Academy of St. Martin in the Fields, Gabriel Yared | B Minor | 2 | 10A | 119 BPM | ||
| Gus Dies | Basil Poledouris | E♭ Major | 0 | 5B | 65 BPM | ||
| Missing Love Time | Luciano Lombardi | E♭ Major | 1 | 5B | 110 BPM | ||
| Close Bonds: The Inner Light Suite (From "Star Trek: The Next Generation") [Live] | Jay Chattaway, Czech National Symphony Orchestra, Justin Freer | D Major | 0 | 10B | 61 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| Clear All Moorings - Star Trek VI/Soundtrack Version | Cliff Eidelman | D Major | 1 | 10B | 71 BPM | ||
| Tending To Huey | Peter Schickele | A Minor | 0 | 8A | 92 BPM | ||
| 1775 Bunker Hill Deployment | Simon Ravn | B Minor | 4 | 10A | 77 BPM | ||
| Wine With Stacey - From A View To A Kill | Rich Douglas | A♭ Minor | 1 | 1A | 93 BPM | ||
| Road To Chicago | Thomas Newman | F♯ Minor | 1 | 11A | 97 BPM | ||
| The DoctorDonna | Jack Dalton | C Major | 1 | 8B | 86 BPM | ||
| Into the Starscape | Craig Safan | E♭ Major | 2 | 5B | 113 BPM | ||
| Waterfall City | Trevor Jones | E♭ Major | 1 | 5B | 83 BPM | ||
| No Aprendiendo De Los Errores | Bellum Sanctus | C Major | 3 | 8B | 138 BPM | ||
| Hello, Beautiful | Stephen Barton, Frederik Wiedmann | C Major | 0 | 8B | 87 BPM | ||
| The Villa | Joseph Vitarelli | A♭ Major | 1 | 4B | 71 BPM | ||
| "Soon" Has Come | Federico Jusid, Chaske Spencer | D Major | 0 | 10B | 70 BPM | ||
| Break Out | Brian May | G Minor | 1 | 6A | 102 BPM | ||
| Close Encounters of the Third Kind: Main Theme | Royal Philharmonic Orchestra | G Major | 3 | 9B | 85 BPM | ||
| Finale and End Title | Victor Young | G Major | 1 | 9B | 134 BPM | ||
| The House | George Fenton | F Major | 0 | 7B | 175 BPM |