On March 15, 1995, the song "Mhaara Naach Bako Latko" was released by Rekha Rao. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 6 out of 8 in Chhori Chameli Naachal Re by Rekha Rao, Tejkaran Rao. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Mhaara Naach Bako Latko is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Mhaara Naach Bako Latko by Rekha Rao is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Do Baat Karunga Krishan Te | Anu | B♭ Minor | 8 | 3A | 120 BPM | ||
| Goga Ji Ke Bhakton Pe Masti | Pt. Ram Avtar Sharma, Rekha Rao | G Minor | 6 | 6A | 100 BPM | ||
| SANWARIYO HAI SETH MARI RADHA JI SETHANI HAI | Bhagwat Suthar | A♭ Major | 9 | 4B | 77 BPM | ||
| Mohe Khatiya Pe Khatmal Kate | Arun Bakshi, Rekha Rao | E Major | 7 | 12B | 79 BPM | ||
| Paan Ki Dukaan Pe | Tej Karan Rao, Rekha Rao | F♯ Major | 6 | 2B | 172 BPM | ||
| Dori Khech Ke Rakhijo Ye Hai Baba Ko Nishan | Deepu Sharma | F♯ Minor | 8 | 11A | 130 BPM | ||
| Mata Bhajan - Mata Rani Ka Shringar | Kavita Raam | F Major | 7 | 7B | 136 BPM | ||
| Meri Vintee Yehi Hai Radha Rani | Chitra Vichitra | B♭ Minor | 4 | 3A | 180 BPM | ||
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM | ||
| Leta Jaiejiyo Re Rumaal | Rekha Rao, Rekha Raj | E♭ Major | 8 | 5B | 96 BPM | ||
| Jo Prem Gali Mein Aaya Nahi | Pandit Gaurangi Gauri Ji | E♭ Minor | 7 | 2A | 150 BPM | ||
| Mara Sanvariya Ke Note Ganera Thoda Thoda Sab Ne Bate Re | Balkishan Prajapat, Sarita Parjapat | F Minor | 8 | 4A | 144 BPM | ||
| Ekali Khadi Re Meera Bai Ekali Khadi | Radha Krishna Maharaj | F Minor | 7 | 4A | 79 BPM | ||
| Holi Mein Maje Karaa Dun | Rakesh Kala, Rekha Rao | D♭ Major | 8 | 3B | 106 BPM | ||
| Chitrakut Ke Ghat Ghat Par | Devendra Pathak | D Major | 6 | 10B | 128 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| Picham Dhara Su Mhara Pirji Padhariya | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM | ||
| Me To Bhukho Betho Sanwriya The Jimo Ho 56 Bhog | Gokul Sharma | B♭ Minor | 8 | 3A | 154 BPM | ||
| Daya Kar Daan Vidya Ka | Vidhi Sharma | B Major | 7 | 1B | 80 BPM | ||
| Aayo Sawaliyo Sarkar | Sanju Sharma | C Major | 5 | 8B | 107 BPM | ||
| Ara Ra Ra Ra Bhar Pichkari | Sadhvi Purnima | A♭ Minor | 7 | 1A | 96 BPM | ||
| Thari Jay Ho Pawan Kumar Bajrang Balaji | Shyam Paliwal | F Minor | 9 | 4A | 100 BPM | ||
| Nachna Mohan De Naal | Naresh Narsi | B♭ Minor | 8 | 3A | 120 BPM | ||
| Nath Main Tharoji Tharo | Radha Krishna Maharaj | A♭ Major | 7 | 4B | 127 BPM | ||
| Hari Thara Naam Hazar | Moinuddin Manchala | A♭ Major | 9 | 4B | 116 BPM |