- BPM
- 69
- Key
- G Major
- Camelot
- 9B
Magnificat: II. Shall I Rejoice (Version for Full Orchestra) by Taylor Scott Davis, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith Song Details
"Magnificat: II. Shall I Rejoice (Version for Full Orchestra)" by Taylor Scott Davis, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith had its release date on November 3, 2023. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 6 out of 15 in A Choral Christmas by VOCES8, George Frideric Handel, VOCES8 Foundation Choir, William J. Kirkpatrick, VOCES8 Foundation Orchestra, Bob Chilcott, Barnaby Smith, John Francis Wade, Taylor Scott Davis, Franz Xaver Gruber, Thomas Hewitt Jones, Leroy Anderson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Magnificat: II. Shall I Rejoice (Version for Full Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Magnificat: II. Shall I Rejoice (Version for Full Orchestra) by Taylor Scott Davis, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 9%
- Loudness
- -16.389 dB
- Acousticness
- 96%
- Danceability
- 25%
- Energy
- 7%
- Instrumentalness
- 3%
- Liveness
- 14%
- Loudness
- 73%
- Speechiness
- 3%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Away in a Manger (Arr. Taylor Scott Davis) | William J. Kirkpatrick, Barnaby Smith, VOCES8 Foundation Orchestra | F Major | 1 | 7B | 96 BPM | |
 | O Come All Ye Faithful - Arr. David Willcocks | Worcester Cathedral Choir, Raymond Johnston, Traditional, Sir David Willcocks | G Major | 1 | 9B | 91 BPM | |
 | Jesus Christ the Apple Tree | Elizabeth Poston, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter | D♭ Major | 0 | 3B | 122 BPM | |
 | O Come All Ye Faithful | Gareth Malone, Gareth Malone's Voices, Royal Philharmonic Orchestra, London Youth Choir, Perranarworthal Hand Bell Ringers, GB Ladies' Hockey Team, Emily Christian | G Major | 3 | 9B | 97 BPM | |
 | Hodie Christus Natus Est | Jan Pieterszoon Sweelinck, The Bach Choir, Royal Philharmonic Orchestra, John Rutter | B♭ Major | 2 | 6B | 85 BPM | |
 | O Come, Emmanuel | Elaine Hagenberg, Sacra / Profana, Juan Carlos Acosta | B♭ Minor | 3 | 3A | 172 BPM | |
 | Sing Lullaby | Herbert Howells, Choir of The Queen's College, Oxford, Owen Rees | F Major | 1 | 7B | 89 BPM | |
 | Herefordshire Carol (Arr. Ralph Vaughan Williams) | English Traditional, Choir of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 100 BPM | |
 | The Lamb | John Tavener, VOCES8 | F Minor | 0 | 4A | 75 BPM | |
 | The Quiet Heart | June Collin, Tenebrae, Nigel Short | C Major | 1 | 8B | 59 BPM | |
 | Head : The Little Road to Bethlehem | Michael Head, Edward Higginbottom | A♭ Major | 1 | 4B | 90 BPM | |
 | Wintertide | Anonymous, The Choir of Royal Holloway | A Minor | 2 | 8A | 88 BPM | |
 | Ave Maria | Robert Shaw, Robert Shaw Chamber Singers | D♭ Major | 0 | 3B | 146 BPM | |
| While Shepherds Watched Their Flocks (Desc. by Stephen Cleobury) | Este's Psalter, 1592, Choir of King's College, Cambridge, Stephen Cleobury, Douglas Tang | F Major | 2 | 7B | 130 BPM | |
 | The Lamb | John Tavener, Stephen Cleobury, Choir of King's College, Cambridge | G Major | 0 | 9B | 143 BPM | |
 | The Truth From Above (arr. R.V. Williams) | Ralph Vaughan Williams, Traditional, Tewkesbury Abbey Choir, Andrew Sackett | E Minor | 1 | 9A | 86 BPM | |
 | Winter's Garland: In Winter's House | Joanna Marsh, Chanticleer, Tim Keeler | E♭ Major | 1 | 5B | 130 BPM | |
 | The Work of Christmas | Dan Forrest, The Ebor Singers, Paul Gameson | A Major | 0 | 11B | 126 BPM | |
 | Lully, Lulla, Thou Little Tiny Child | Kenneth Leighton, Caroline Ashton, The Cambridge Singers, John Rutter | A Major | 1 | 11B | 71 BPM | |
 | The Wise Men and the Star | Oliver Tarney, Lucia Quinault, SANSARA, Tom Herring | B Minor | 0 | 10A | 79 BPM | |
 | Lo! He Slumbers | Cecilia McDowall, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | |
 | O Come, All Ye Faithful (Arr. Taylor Scott Davis) | John Francis Wade, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | B♭ Major | 4 | 6B | 110 BPM | |
 | 3 Carol-Anthems: No. 2, Sing Lullaby | Herbert Howells, Choir of St. John's College, Cambridge, Christopher Gray | F♯ Minor | 1 | 11A | 127 BPM | |
| Gabriel's Message | Traditional Basque, The Bach Choir, John Rutter | A Minor | 1 | 8A | 70 BPM |
- ISRC
- GBBBC2301243
- Label
- L-M Records/RCA Records