On May 26, 1959, the song "Cuatro Compases" was released by Rodolfo Biagi, Miguel Caló. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Cuatro Compases's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rodolfo Biagi's "Musica de Mi Ciudad" album is number 42 out of 45. On top of that, Argentina appears to be the country where this track was created. Based on our statistics, Cuatro Compases's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Cuatro Compases by Rodolfo Biagi, Miguel Caló to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ventarrón | Orquesta Tipica Victor | C Minor | 2 | 5A | 126 BPM | ||
| Siete palabras | Orquesta Carlos di Sarli | C Minor | 3 | 5A | 126 BPM | ||
| Sueño Azul | Osvaldo Fresedo | A Minor | 5 | 8A | 137 BPM | ||
| Que nunca me falte | Ricardo Tanturi y Enrique Campos | D♭ Minor | 3 | 12A | 130 BPM | ||
| Sollozos | Ricardo Malerba | A Minor | 5 | 8A | 137 BPM | ||
| Luna de Plata | Orquesta Típica Sans Souci, César Peduzzi | G Major | 4 | 9B | 103 BPM | ||
| Flores Del Alma | Alfredo De Angelis, Carlos Dante, Julio Martel | G Minor | 5 | 6A | 104 BPM | ||
| Humillación | Rodolfo Biagi | G Minor | 2 | 6A | 131 BPM | ||
| Estrella | Orquesta Rodolfo Biagi, Hugo Duval, Marcelino Hernandez, Roberto Cassinelli | A Minor | 3 | 8A | 120 BPM | ||
| Infamia | Héctor Mauré con Juan D'Arienzo | A Minor | 2 | 8A | 135 BPM | ||
| Yo Soy El Tango | Aníbal Troilo Y Su Orquesta Típica | D Major | 4 | 10B | 136 BPM | ||
| Te Aconsejo Que Me Olvides | Pablo Valle Sexteto | F Minor | 3 | 4A | 138 BPM | ||
| Nada Mas Que Un Corazon | Anibal Troilo y su orquesta, Alberto Marino | A Major | 3 | 11B | 117 BPM | ||
| Esta Noche Me Emborracho | La Juan D'Arienzo | E Major | 5 | 12B | 132 BPM | ||
| Como Tu Cariño (with Rodolfo Lesica & Argentino Ledesma) | Héctor Varela y su Orquesta Típica, Rodolfo Lesica, Argentino Ledesma | A♭ Major | 4 | 4B | 99 BPM | ||
| Sacále Punta | La Santa Calavera, Ariel Varnerin | D♭ Major | 7 | 3B | 120 BPM | ||
| Metido (From 'Single Hits'1942) | Alberto Amor, Rodolfo Biagi | E Minor | 2 | 9A | 128 BPM | ||
| Leyenda Gaucha | Domingo Federico | A Minor | 5 | 8A | 137 BPM | ||
| Mas Alla | Osvaldo Fresedo y su Orquesta Típica | D♭ Major | 3 | 3B | 133 BPM | ||
| Comparsa Criolla | Ricardo Tanturi | A Minor | 5 | 8A | 137 BPM | ||
| El Tigre Millan | Juan D'Arienzo y su Orquesta Típica | D♭ Major | 5 | 3B | 142 BPM | ||
| La Piba De Los Jazmines - Versión Alternativa | Ricardo Malerba | A Minor | 5 | 8A | 137 BPM | ||
| Tu Corazón | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Minor | 5 | 6A | 135 BPM | ||
| Dejame amarte aunque sea un dia | Rodolfo Biagi | A Minor | 5 | 8A | 137 BPM | ||
| Tierrita | Juan D'Arienzo, Héctor Mauré | A Minor | 5 | 8A | 137 BPM |