On 2003, the song "One Way Out - Live" was released by Mike Bloomfield, Al Kooper. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 10 in Fillmore East: The Lost Concert Tapes 12/13/68 by Al Kooper, Mike Bloomfield. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, One Way Out - Live is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of One Way Out - Live by Mike Bloomfield, Al Kooper is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How Blue Can You Get | Jeff Healey | F Major | 4 | 7B | 97 BPM | ||
| Too Late | Guitar Shorty | C Major | 8 | 8B | 92 BPM | ||
| When My Left Eye Jumps (Bonus Track) | Chicken Shack | D Major | 3 | 10B | 79 BPM | ||
| Shame, Shame, Shame | Jimmy Reed | D Major | 5 | 10B | 162 BPM | ||
| Well All Right | Blind Faith | G Major | 7 | 9B | 111 BPM | ||
| This Little Voice | Byther Smith | D♭ Minor | 7 | 12A | 119 BPM | ||
| Everything Going to Be Alright - Live @ the Troubadour, Los Angeles | The Paul Butterfield Blues Band | C Major | 6 | 8B | 135 BPM | ||
| Close To Me - Stereo Version | Sonny Boy Williamson II | D♭ Major | 4 | 3B | 94 BPM | ||
| That's All Right | Wet Willie | F Major | 8 | 7B | 164 BPM | ||
| Going Home | Joanne Shaw Taylor | D♭ Major | 6 | 3B | 99 BPM | ||
| Pawnshop Bound | William Clarke | C Major | 7 | 8B | 118 BPM | ||
| Mystery Train - Remastered | The Band | A Major | 7 | 11B | 113 BPM | ||
| We The People | Guitar Shorty | C Major | 9 | 8B | 178 BPM | ||
| Frosty (Live) | Albert Collins | D Major | 9 | 10B | 164 BPM | ||
| Folks Back Home | Clarence "Gatemouth" Brown | G Major | 6 | 9B | 149 BPM | ||
| Blow Wind Blow | Muddy Waters, Otis Spann, Mike Bloomfield, Paul Butterfield, Donald "duck" Dunn, Sam Lay | C Major | 6 | 8B | 107 BPM | ||
| Steppin' Out | John Mayall & The Bluesbreakers, Eric Clapton | C Major | 6 | 8B | 89 BPM | ||
| Walking the Back Streets and Crying | John Primer, Bob Corritore | E Major | 6 | 12B | 187 BPM | ||
| Back Street Crawler | Paul Kossoff | A Major | 6 | 11B | 106 BPM | ||
| Blowin' Like Hell | William Clarke | F Major | 5 | 7B | 205 BPM | ||
| Sweet Home Chicago | Lonnie Brooks | E Major | 5 | 12B | 119 BPM | ||
| Goin' Upstairs | Sam Samudio, Duane Allman | C Major | 4 | 8B | 144 BPM | ||
| Intro / Well… All Right - Live: Hyde Park, London 7th June 1969 | Blind Faith | G Major | 6 | 9B | 107 BPM | ||
| Born To Die | Keef Hartley Band | A Major | 2 | 11B | 141 BPM | ||
| Blues Medley - Live | Mike Bloomfield | D Major | 5 | 10B | 93 BPM |