Bill Anderson's ' "Ninety-Nine" was released on its scheduled release date, January 1, 1962. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Ninety-Nine's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 12 in Bill Anderson Sings Country Heart Songs by Bill Anderson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ninety-Nine is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ninety-Nine by Bill Anderson is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little Ole Wine Drinker Me | Charlie Walker | G Major | 4 | 9B | 138 BPM | ||
| I Guess It Never Hurts to Hurt Sometimes | The Oak Ridge Boys | E Major | 5 | 12B | 73 BPM | ||
| The Key's in the Mailbox | Freddie Hart | A Major | 4 | 11B | 128 BPM | ||
| The Bridge Washed Out | Warner Mack | G Major | 5 | 9B | 151 BPM | ||
| Southern Loving | Jim Ed Brown | F Major | 6 | 7B | 99 BPM | ||
| New Patches | Tony Kerr, Leona Williams | F Major | 3 | 7B | 110 BPM | ||
| 8 X 10 | Bill Anderson | E Major | 3 | 12B | 124 BPM | ||
| Mockin' Bird Hill | George Jones and Gene Pitney | B♭ Major | 4 | 6B | 153 BPM | ||
| Room Full of Roses | Mickey Gilley | C Major | 4 | 8B | 106 BPM | ||
| May the Bird of Paradise Fly up Your Nose | Little Jimmy Dickens | E Major | 8 | 12B | 104 BPM | ||
| Honeymoon Feelin' | Roy Clark | C Major | 4 | 8B | 140 BPM | ||
| The Comancheros | Claude King | E♭ Major | 4 | 5B | 78 BPM | ||
| Helpless | Joe Carson | E Major | 5 | 12B | 135 BPM | ||
| Wrong Road Again | Crystal Gayle | A♭ Major | 3 | 4B | 90 BPM | ||
| Hurry, Mr. Peters | Justin Tubb, Lorene Mann | B Major | 2 | 1B | 114 BPM | ||
| I Get The Fever | Bill Anderson | D Major | 5 | 10B | 144 BPM | ||
| Just Hold My Hand | Johnny & Jonie Mosby | E Major | 4 | 12B | 102 BPM | ||
| Is It Wrong (For Loving You) | Warner Mack | A♭ Major | 4 | 4B | 94 BPM | ||
| Till the End | Vern Gosdin | A Major | 3 | 11B | 93 BPM | ||
| Just Beyond the Moon | Tex Ritter | G Major | 3 | 9B | 113 BPM | ||
| (Margie's At) The Lincoln Park Inn | Bobby Bare | D Major | 3 | 10B | 131 BPM | ||
| Let Me Down Easy | Tompall & The Glaser Brothers | E Major | 3 | 12B | 74 BPM | ||
| Lovin' Her Was Easier (Than Anything I'll Ever Do Again) | Tompall & The Glaser Brothers | G Major | 4 | 9B | 87 BPM | ||
| Somebody Hold Me - Studio | Narvel Felts | C Major | 5 | 8B | 176 BPM | ||
| Baby, That's Cold | Vern Gosdin | E Major | 2 | 12B | 77 BPM |