Kosindra, Rishi Pal's ' "Tap Tap Aasu" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kosindra, Rishi Pal's "Hariyanvi Kissa Lav Kush" album is number 6 out of 15. On top of that, France appears to be the country where this track was created. Based on our statistics, Tap Tap Aasu's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tap Tap Aasu by Kosindra, Rishi Pal to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kue Pe Lugaiya Dhore | Tarun Baliyan | E♭ Major | 9 | 5B | 139 BPM | ||
| Pankh Jo Hote Main Udd Jati | Prakash Rutha | C Major | 10 | 8B | 89 BPM | ||
| Madoghad Ki Ladae (Pt. 2) | Surjan chaitanya | E♭ Minor | 7 | 2A | 141 BPM | ||
| Chameli Hi Hi | Umakant Barik, Rabi | E Major | 9 | 12B | 132 BPM | ||
| Prem To Jabhi Mil Skta Part 4 | Swami Aadhar Chaitanya | A♭ Minor | 5 | 1A | 94 BPM | ||
| Barrotan Moye Dikhbe Bhoot Babba Tumai Maro Bhaboot | Narendra Thakur, Ramdevi Masoom | F♯ Major | 9 | 2B | 116 BPM | ||
| Pati Hai Mero Neech Gawar | Brijesh Shastri | B Major | 6 | 1B | 103 BPM | ||
| Mehndi | Kohinoor Langa | B♭ Major | 9 | 6B | 112 BPM | ||
| Khatiya Mat Tode Re - Hindi | Naresh Gurjar, Dinesh Gurjar | G Minor | 7 | 6A | 129 BPM | ||
| Ek Din Gawana Jaibu | Bharat Sharma Vyas | B♭ Major | 7 | 6B | 150 BPM | ||
| Alash Kis Taraha Se Part 8 | Brijesh Shastri | F Major | 3 | 7B | 103 BPM | ||
| Kavita Likhein Hazaar Tumaai | Deshraj Patairiya | E♭ Major | 7 | 5B | 159 BPM | ||
| Babula | Rangle Sardar | D♭ Minor | 8 | 12A | 105 BPM | ||
| Mane Acha Lage Bhagwan - Jambheshwar Bhajan | Champa Lal Karir | E Minor | 8 | 9A | 181 BPM | ||
| Shiv Manat Nahin | Sharda Sinha | A♭ Minor | 8 | 1A | 86 BPM | ||
| Ram Bhajan | Rama Shankar Vyas | D Minor | 5 | 7A | 169 BPM | ||
| Ram Ji Ka Sewak Ho Ram Ji Ka Diwana | Ram Kumar Lakha | B Major | 9 | 1B | 164 BPM | ||
| Is Bare Me Lachar Hui | Mainpal Baseda, Satpal Dosa | G Minor | 10 | 6A | 125 BPM | ||
| Kiyu Roi Bata Tera Chala Na Pata | Mainpal Baseda, Satpal Dosa | G Minor | 10 | 6A | 125 BPM | ||
| Tohare Bharose Devi Mai | Vijay Lal Yadav | G Major | 9 | 9B | 102 BPM | ||
| Eso Datar Me Suniyo | Rajkumar Swami | A Minor | 7 | 8A | 106 BPM | ||
| Aangana Duware Sagare | Bharat Sharma | F Minor | 7 | 4A | 152 BPM | ||
| Khali Peeli Pyar Se | Ila Arun | D Major | 8 | 10B | 98 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Indal Haran (Part-1) | Surjan chaitanya | B Major | 4 | 1B | 103 BPM |