"Dowland-Suite: Fantasia" by Carl Rütti, B-Five Recorder Consort had its release date on August 25, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in B-Five Recorder Consort's "In Search of Dowland" album is number 13 out of 18. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Dowland-Suite: Fantasia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dowland-Suite: Fantasia by Carl Rütti, B-Five Recorder Consort to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lotti: Crucifixus a 8 | Antonio Lotti, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
| O Tebe raduyetsia, Op. 15 No. 11 | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | E♭ Major | 0 | 5B | 121 BPM | ||
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| Missa Angelorum: Kyrie | Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson | D Major | 0 | 10B | 76 BPM | ||
| Mary's Magnificat - 2022 Remastered Version | St. Patrick Orthodox Church Choir | D♭ Major | 4 | 3B | 81 BPM | ||
| Pieśń o Najświętszej Pannie | Urszula Rogala, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 2 | 7B | 169 BPM | ||
| Une vierge féconde | Anonyme, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 77 BPM | ||
| Concerto for Alphorn & Strings: I. — | Carl Rütti, Eliana Burki, paul taylor orCHestra, Paul Wegman Taylor | A Minor | 1 | 8A | 106 BPM | ||
| Requiem: I Heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 8, Rescue him, O Lord, in this his evil hour (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| SMS: Belangloses | Matthias Kofmehl, Carl Rütti, Hans-Jürg Sommer | D♭ Major | 2 | 3B | 70 BPM | ||
| All-night Vigil, Op. 44: Blagoslovi, dushe moya, Ghospoda | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | G Major | 1 | 9B | 132 BPM | ||
| They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | ||
| It Is Meet | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 131 BPM | ||
| Crucifixus | Antonio Lotti, Jugendchor Osnabrück, Johannes Rahe | D♭ Minor | 0 | 12A | 76 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
| Hashir Hashem Luchem | Jay Anthony Gach, Kühn Choir Of Prague, Jakub Pikla | G Major | 1 | 9B | 132 BPM | ||
| Petite Symphonie Concertante: Adagio - Allegro con moto | Frank Martin, Chantal Mathieu, Verena Graf, Carl Rütti, Edmond De Stoutz, Zürcher Kammerorchester | C Major | 2 | 8B | 113 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Ave Maria | James MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom Wilkinson | B Minor | 2 | 10A | 69 BPM | ||
| The Woman with the Alabaster Box | Arvo Pärt, Polyphony, Stephen Layton | G Minor | 1 | 6A | 77 BPM | ||
| Now thank we all our God | trad "Nun Danket" arr Allwood, Christ Church Cathedral Choir, Oxford, Stephen Darlington | F Major | 1 | 7B | 79 BPM |