On March 25, 2000, the song "Indian Police Chahin" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tara Rani's "Khajhadha Ha" album is number 3 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Indian Police Chahin's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Indian Police Chahin by Tara Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lakshman Ki Jaan Bacha Kei | Narendra Kaushik | C Minor | 8 | 5A | 91 BPM | ||
| Time De Hisab Nal | Satnam Sagar, Sharanjeet Shammi | C Minor | 9 | 5A | 177 BPM | ||
| Ham Koilriya Ke | Ramkhilawan | A♭ Major | 8 | 4B | 113 BPM | ||
| Chunni Lal Rang Di | Muhammad Sadiq, Ranjit Kaur | D♭ Minor | 6 | 12A | 122 BPM | ||
| Bujhe Na Darad Bhav | Tara Rani | D♭ Major | 6 | 3B | 84 BPM | ||
| Tareyan Di Loye Loye | Amar Singh Chamkila, Amarjot | F♯ Minor | 10 | 11A | 102 BPM | ||
| Tere Peechhe Kyon Roolde | Raj Brar | E♭ Minor | 7 | 2A | 117 BPM | ||
| Pinjara Banaya Chandi Ka | Kirti Kumar | A Major | 1 | 11B | 81 BPM | ||
| Tohre Khatir Na | Tara Rani | B Major | 8 | 1B | 122 BPM | ||
| Hum Ta Mangani Aajan - Baajan (Dwar Pooja) | Sharda Sinha | E Minor | 6 | 9A | 109 BPM | ||
| Khali Peeli Pyar Se | Ila Arun | D Major | 8 | 10B | 98 BPM | ||
| Jhanjar Ban Mitra | Nirmal Bhadkeela, Anita Samana | D♭ Major | 8 | 3B | 104 BPM | ||
| Chand Chadyo Gignar | Mamta Singh | B♭ Minor | 5 | 3A | 83 BPM | ||
| Bhauji Kab Hoyi Mor Gavanwa | Tara Rani | B Minor | 4 | 10A | 172 BPM | ||
| Tere Sare Khat | Harbhajan Mann | A Major | 6 | 11B | 80 BPM | ||
| Yahi Hota Pyaar - Mehfil Mix | Himesh Reshammiya, Sunidhi Chauhan | D Major | 5 | 10B | 107 BPM | ||
| Aavi Rudi Mosala Ni Chab | Lalita Ghodadra | D♭ Major | 4 | 3B | 91 BPM | ||
| Mangal Ki Sewa (Aarti Kaali Mata Ki) | Lakhbir Singh Lakkha | B♭ Minor | 6 | 3A | 100 BPM | ||
| Poliyopoli (From “Pallavur Devanarayanan”) | Gireesh Puthenchery, Raveendran, Mammootty | F♯ Major | 6 | 2B | 100 BPM | ||
| Nao Hai Lambe | Kamla Rathore, Ramkripal Rai, Geeta | F♯ Minor | 9 | 11A | 125 BPM | ||
| Masiyan Di Raat Kali | Surinder Kaur | F Minor | 9 | 4A | 100 BPM | ||
| Main Wari | Harbhajan Mann, Manpreet Akhtar, Amar Noori, Simran, Tripat | A Major | 6 | 11B | 116 BPM | ||
| Uthau Suruj Bhaile Bihaan | Sharda Sinha | D♭ Major | 5 | 3B | 78 BPM | ||
| Dalitancha Raja Bhimrao Mazha | Vijay Sartape | C Major | 9 | 8B | 83 BPM | ||
| Chaal Baj Chandra | Kuldip Manak | A♭ Minor | 8 | 1A | 88 BPM |