"Massive Effect - Bonus Track" by Final Space had its release date on August 11, 2020. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 25 out of 26 in Final Space: Season 1 (Original Television Soundtrack) by Final Space. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Massive Effect - Bonus Track is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Massive Effect - Bonus Track by Final Space is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh the Humanity | Gabriel Lewis | D Minor | 1 | 7A | 136 BPM | ||
| Not Again | Laura Karpman | C Major | 1 | 8B | 84 BPM | ||
| A Future For The Krogan | Christopher Lennertz | B Minor | 4 | 10A | 96 BPM | ||
| Never Give Up | Nathan Whitehead | G Minor | 1 | 6A | 77 BPM | ||
| Farewell Life (Arn Andersson Remix) | Christoffer Hagman, Arn Andersson, Nights Amore | B♭ Minor | 1 | 3A | 115 BPM | ||
| Arcanine | Ursine Vulpine | A Minor | 3 | 8A | 67 BPM | ||
| Falling Into a Dream | Brian Tyler | C Major | 4 | 8B | 100 BPM | ||
| Estasi Dell Anima | David Sardy | A Minor | 5 | 8A | 82 BPM | ||
| I Am War | Superhuman | C Major | 6 | 8B | 84 BPM | ||
| Aloy's Theme - Forbidden West (feat. Julie Elven) | Joris de Man, Julie Elven | A Minor | 3 | 8A | 120 BPM | ||
| Owen's Theme | Ben Foster, Murray Gold | D Minor | 5 | 7A | 86 BPM | ||
| The Last of Us | Gustavo Santaolalla | E Minor | 5 | 9A | 155 BPM | ||
| Bullet's Lullaby - Instrumental (From: Hunt: Showdown) | Port Sulphur Band | B Minor | 0 | 10A | 76 BPM | ||
| Begin | Jorge Méndez | E♭ Major | 1 | 5B | 75 BPM | ||
| A Good Man? (Twelve’s Theme) | Murray Gold | D Minor | 5 | 7A | 80 BPM | ||
| Hallucination | Final Space | B♭ Major | 0 | 6B | 85 BPM | ||
| All the Earth | Jessica Curry | C Major | 1 | 8B | 72 BPM | ||
| View from the Voyager | ConfidentialMX | F Minor | 0 | 4A | 127 BPM | ||
| Gravity Hurts | Cryoshell, Christine, Budapest Art Orchestra | D Major | 4 | 10B | 93 BPM | ||
| Reformation | The Illusory Alchemist | B Minor | 4 | 10A | 78 BPM | ||
| Hell or High Water - From Days Gone | Billy Raffoul | B Major | 3 | 1B | 130 BPM | ||
| The Opening | François-Paul Aïche | C Major | 6 | 8B | 160 BPM | ||
| Voices in the Water | Lux Veritas | E Major | 4 | 12B | 176 BPM | ||
| I Want to Wake up So Badly | The Newton Brothers | D Major | 2 | 10B | 133 BPM | ||
| Bad Medicine (Original Short Film Soundtrack) | Lars Erik Fjøsne-Eide | C Major | 3 | 8B | 109 BPM |