"The Argument" by Christopher Spelman had its release date on March 24, 2017. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. The Argument's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Lost City of Z (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. The Argument is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Argument by Christopher Spelman having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capricorn Cello Meditation (Rising Earth Edit) | The Wong Janice | F♯ Major | 1 | 2B | 138 BPM | ||
| Yellow Dress | Dominik Scherrer | D Minor | 1 | 7A | 156 BPM | ||
| Crowds Can Be The Loneliest Of Places | Craig Armstrong | A Minor | 1 | 8A | 80 BPM | ||
| Maybe You Killed Her | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| I Believe You | Eva Tiedemann | F♯ Major | 1 | 2B | 138 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| He Took It | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Saying Goodnight | Christopher Spelman | E Minor | 0 | 9A | 170 BPM | ||
| Yanuni | H. Scott Salinas, Tomás Videla | F♯ Major | 1 | 2B | 138 BPM | ||
| A Prayer | Howard Shore | A Minor | 0 | 8A | 89 BPM | ||
| The Revenant Main Theme Atmospheric | Ryuichi Sakamoto | A Minor | 1 | 8A | 131 BPM | ||
| Show Me Your Face | Marco Beltrami | D Minor | 2 | 7A | 36 BPM | ||
| Perder Comba | Fases Ocultas | C Major | 2 | 8B | 70 BPM | ||
| The Last Farm 3 | Kjartan Sveinsson | G Minor | 2 | 6A | 142 BPM | ||
| Torpedos | Reino De Fuego | B♭ Major | 3 | 6B | 82 BPM | ||
| Walking Out | Peter Gregson | A♭ Minor | 0 | 1A | 86 BPM | ||
| Ghostly hope | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Min pappa är död | Isak Lundberg | F♯ Major | 1 | 2B | 138 BPM | ||
| Hamnet's Grave | Patrick Doyle | E Major | 2 | 12B | 136 BPM | ||
| Somewhere In Space Hangs My Heart | Ben Salisbury, Suvi-Eeva Äikäs | G Minor | 2 | 6A | 117 BPM | ||
| Natalidad | Almas Paralelas | D♭ Minor | 2 | 12A | 90 BPM | ||
| Hasni | Dinbin Mau | B Major | 1 | 1B | 75 BPM | ||
| Scotland | Amelia Warner | E Minor | 2 | 9A | 88 BPM | ||
| Beck Gets Up | Dario Marianelli | A Major | 1 | 11B | 56 BPM | ||
| Selkie Swimming | Jan Miserre, John Gürtler | B♭ Major | 1 | 6B | 70 BPM |