"Orpheus, Scene II: Pas d'action" by London Symphony Orchestra, Robert Craft had its release date on May 1, 2005. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Orpheus, Scene II: Pas d'action's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Stravinsky: Apollo - Agon - Orpheus". In this album, this song's track order is #38. Furthermore, we believe that the track originated from Hong Kong. Orpheus, Scene II: Pas d'action is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orpheus, Scene II: Pas d'action by London Symphony Orchestra, Robert Craft having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il Trovatore: "Anvil Chorus" (Live) | London Symphony Orchestra, The London Symphony Chorus, Barry Wordsworth | C Major | 3 | 8B | 135 BPM | ||
| The Thieving Magpie: Overture | London Symphony Orchestra, Philip Simms | E Major | 1 | 12B | 167 BPM | ||
| Carmen Suite No. 2: 2. Habanera | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Major | 0 | 10B | 134 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Fantasia on a Theme by Thomas Tallis (excerpt) [Master and Commander: The Far Side of the World] | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | F Minor | 0 | 4A | 86 BPM | ||
| For the Love of a Princess (from "Braveheart") | James Horner, HAUSER, London Symphony Orchestra, Robin Smith | D Minor | 3 | 7A | 93 BPM | ||
| Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | A Minor | 2 | 8A | 101 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox | C Major | 1 | 8B | 82 BPM | ||
| Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, London Symphony Orchestra, Claudio Abbado | B Minor | 9 | 10A | 150 BPM | ||
| Water Music Suite No. 2 in D Major, HWV 349: "Alla Hornpipe" | London Symphony Orchestra, Maurice Murphy, Gordan Nikolitch | D Major | 2 | 10B | 114 BPM | ||
| Pavane | HAUSER, London Symphony Orchestra | D Major | 2 | 10B | 114 BPM | ||
| Albinoni Adagio | Tomaso Albinoni, HAUSER, Robert Ziegler, London Symphony Orchestra | E♭ Major | 3 | 5B | 77 BPM | ||
| End Credits | James Horner, London Symphony Orchestra | G Major | 0 | 9B | 62 BPM | ||
| Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
| Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, André Previn, London Symphony Orchestra | F Major | 2 | 7B | 67 BPM | ||
| Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 1 | 8B | 79 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| The Throne Room and End Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 58 BPM | ||
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 91 BPM | ||
| Prokofiev: Cinderella, Op. 87, Act 1: No. 1, Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Don Quixote: Act I: Quiteria and Basilio | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Minor | 0 | 9A | 178 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act 1: No. 6, Pas d'action. Andantino, quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 62 BPM | ||
| On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM |