Federico Moreno Torroba, Andrés Segovia's 'Moreno Torroba: Albada' had a release date set for January 1, 1944. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Father Of The Classical Guitar (1944)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Greece. Moreno Torroba: Albada is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Moreno Torroba: Albada by Federico Moreno Torroba, Andrés Segovia having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rafaga | Joaquín Turina, Sebastien Llinares | A Major | 3 | 11B | 104 BPM | ||
| Escarramán, A Suite of Spanish Dances from the XVI Century (after Cervantes), Op. 177: I. Gallarda | Mario Castelnuovo-Tedesco, Davide Giovanni Tomasi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Habanera | Eduardo Sainz De La Maza, Margarita Escarpa | G Major | 0 | 9B | 106 BPM | ||
| Romance de los pinos | Federico Moreno Torroba, Andrés Segovia | A Major | 0 | 11B | 83 BPM | ||
| Luisa Fernanda: Final acto 2º: ¡Muera! - Remastered | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Fuensanta Solá, María de los Ángeles Morales, Carlos Munguia, Manuel Ausensi, Coro General, Ataúlfo Argenta, Julian Perera, Gran Orquesta Sinfonica | B♭ Major | 3 | 6B | 75 BPM | ||
| Tristorosa | Heitor Villa-Lobos, Tatyana Ryzhkova | D Minor | 2 | 7A | 79 BPM | ||
| Albéniz: Suite española No. 1, Op. 47: I. Granada. Serenata | Isaac Albéniz, Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| An die Entfernte | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Sevilla | Stephanie Jones | G Major | 1 | 9B | 107 BPM | ||
| Homenaje a Tárrega, Op. 69: II. Soleares | Joaquín Turina, Craig Ogden | A Major | 2 | 11B | 138 BPM | ||
| Guitar Sonata No. 1: Allegro deciso e molto ritmico | Carlos Guastavino, Victor Villadangos | D Minor | 0 | 7A | 108 BPM | ||
| Carcassi: Études, Op. 60: No. 3 in A Major | Matteo Carcassi, Oscar Caceres | A Major | 2 | 11B | 113 BPM | ||
| Canción triste | Carlos Fariñas, Marco Tamayo | A Minor | 0 | 8A | 111 BPM | ||
| Triptico: 1. Amida | Antonio Lauro, Adam Holzman | E Minor | 0 | 9A | 100 BPM | ||
| Sonate romantique "Hommage à Schubert": II. Andante | Manuel Ponce, Marcin Dylla | A Major | 1 | 11B | 126 BPM | ||
| Granados: 12 Danzas españolas: No. 5, Andaluza | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| Elegía por la muerte: II. Melancolia | Maximo Diego Pujol, Ricardo Cobo | D Minor | 2 | 7A | 119 BPM | ||
| Guitar Sonata, Op. 21, No. 2: III. Allegretto | Ferdinando Carulli, Richard Savino | D Major | 2 | 10B | 149 BPM | ||
| Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
| Cinq préludes, W 419: No. 4, Homenagem ao índio brasileiro | Heitor Villa-Lobos, Giulia Ballaré | E Minor | 1 | 9A | 89 BPM | ||
| Ninna nanna: Pensando a Ravel | Maurizio Baudino | B Minor | 0 | 10A | 92 BPM | ||
| Ricercare No. 11 | Giovanni Maria da Crema, Guillem Perez-Quer | D Major | 0 | 10B | 103 BPM | ||
| Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): I. Confuseta | Maximo Diego Pujol, Ricardo Cobo | E Minor | 1 | 9A | 154 BPM | ||
| Maria Luisa | David Tutmark | A Minor | 1 | 8A | 73 BPM | ||
| Carcassi Study No.4 Op.60 | Mateo Carcassi, John Fulford Music | E Minor | 2 | 9A | 132 BPM |