Peter Perrett, The One's 'The Shame Of Being You' had a release date set for May 28, 1996. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Woke Up Sticky…Plus by Peter Perrett, The One. The song's track number on the album is #5 out of 14 tracks. Based on our statistics, The Shame Of Being You's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since The Shame Of Being You by Peter Perrett, The One has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Shame Of Being You being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Black Road | Mint Mile | G Major | 6 | 9B | 123 BPM | ||
| Once Is Enough | Peter Perrett | F Major | 8 | 7B | 132 BPM | ||
| Troika | Peter Perrett | C Major | 7 | 8B | 139 BPM | ||
| Love Comes On Silent Feet | Peter Perrett | A Major | 8 | 11B | 132 BPM | ||
| Chill | Weak Signal | D Major | 7 | 10B | 132 BPM | ||
| Vision of You | Andy White | A Major | 7 | 11B | 85 BPM | ||
| A Good Time Pushed | Kim Deal | E Major | 7 | 12B | 107 BPM | ||
| Seven Days | The Feelies | A Minor | 9 | 8A | 163 BPM | ||
| Not To Be Trusted | Unbelievable Truth | G Minor | 3 | 6A | 119 BPM | ||
| Alexandria Sunset | ASHLEY NAYLOR | A Major | 5 | 11B | 136 BPM | ||
| Voices | Golden Hours | D Major | 7 | 10B | 127 BPM | ||
| Heal Yourself | Primal Scream | A♭ Major | 7 | 4B | 174 BPM | ||
| High on the Rocks | Dog Trumpet | G Major | 4 | 9B | 178 BPM | ||
| Apocalyptic Boom Boom | Des Demonas | B Minor | 9 | 10A | 129 BPM | ||
| City Sickness | Tindersticks | G Major | 4 | 9B | 101 BPM | ||
| Out of the Pines | Peter Bruntnell | E♭ Major | 6 | 5B | 116 BPM | ||
| Be The Hammer | Andrew Wasylyk, Tommy Perman, Aidan Moffat | B Major | 5 | 1B | 117 BPM | ||
| Right To Decide | The Pink Fairies | D Major | 7 | 10B | 127 BPM | ||
| Land of the Faint at Heart | Wreckless Eric | F♯ Major | 6 | 2B | 110 BPM | ||
| I Belong To... | The WAEVE, Graham Coxon, Rose Elinor Dougall | C Major | 5 | 8B | 180 BPM | ||
| Vertical Take-Off and Landing | Swell Maps | D Major | 7 | 10B | 127 BPM | ||
| Aftermath | The Waterboys | C Major | 8 | 8B | 77 BPM | ||
| Nobody Loves You More | Kim Deal | E Major | 7 | 12B | 107 BPM | ||
| City Lights | The WAEVE, Graham Coxon, Rose Elinor Dougall | D Minor | 10 | 7A | 122 BPM | ||
| The American Resistance | The Apartments, Peter Milton Walsh | A Major | 4 | 11B | 153 BPM |