Count Basie's ' "Blues In The Dark" was released on its scheduled release date, January 1, 1992. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 63 in the song's album "The Complete Decca Recordings". In this album, this song's track order is #2. Blues In The Dark is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Blues In The Dark by Count Basie having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Troubles Troubles | Clarence "Frogman" Henry | A♭ Major | 2 | 4B | 67 BPM | ||
| A Room With A View | Artie Shaw | G Minor | 1 | 6A | 120 BPM | ||
| The Long Night | Count Basie | D♭ Major | 1 | 3B | 178 BPM | ||
| Tickle Toe | Count Basie | B♭ Minor | 3 | 3A | 107 BPM | ||
| Scotch & Soda | Lou Rawls | G Minor | 4 | 6A | 109 BPM | ||
| Fireworks | Original Memphis Five | A♭ Major | 5 | 4B | 102 BPM | ||
| One O'Clock Jump | Count Basie | D♭ Major | 2 | 3B | 169 BPM | ||
| No Moon At All - Remastered | Jonah Jones | C Major | 4 | 8B | 80 BPM | ||
| Mailbox Blues - Single Version | Slim Harpo | C Major | 5 | 8B | 124 BPM | ||
| Deacon Rides Again | Big Jay McNeely | A♭ Major | 2 | 4B | 67 BPM | ||
| Blue Devil Jump | Jay McShann | G Minor | 3 | 6A | 107 BPM | ||
| Hesitation Blues | Nat Gonella And His Georgians | G Minor | 3 | 6A | 95 BPM | ||
| The Right Idea | Charlie Barnet | G Minor | 7 | 6A | 92 BPM | ||
| Steppin' Out With My Baby | Fred Astaire | C Minor | 2 | 5A | 90 BPM | ||
| Another Man Done Gone | Sugar Blue | D Minor | 9 | 7A | 119 BPM | ||
| Charleston Twist | Red Prysock | C Minor | 5 | 5A | 168 BPM | ||
| Mean Old World | T-Bone Walker | C Major | 2 | 8B | 87 BPM | ||
| Take the "A" Train | Duke Ellington, Count Basie | D♭ Major | 3 | 3B | 163 BPM | ||
| It's A Most Unusual Day | June Christy | G Major | 2 | 9B | 142 BPM | ||
| You're the Cream in My Coffee | Frank Salvano & Ambassadors | E♭ Major | 2 | 5B | 150 BPM | ||
| Communications | Slim Gaillard | G Major | 7 | 9B | 175 BPM | ||
| Uptown Blues | Jimmie Lunceford | C Major | 3 | 8B | 90 BPM | ||
| You're The Top (with Vince Giordano & The Nighthawks) | Cole Porter, Vince Giordano, The Nighthawks | E♭ Major | 4 | 5B | 90 BPM | ||
| Lazy River | Benny Goodman Trio | A Minor | 1 | 8A | 97 BPM | ||
| 8, 9 and 10 | Slim & Slam | A♭ Major | 2 | 4B | 67 BPM |