On December 29, 2025, the song "Main To Khoyu Re Ratan Maari Aankh Hu" was released by Suresh Raval. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Main To Khoyu Re Ratan Maari Aankh Hu and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Main To Khoyu Re Ratan Maari Aankh Hu is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Main To Khoyu Re Ratan Maari Aankh Hu by Suresh Raval to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kai Karsi Re Mharo Kai Karsi | Radha Krishna Maharaj | F Minor | 7 | 4A | 155 BPM | ||
| Bolo Dhajaband Dhare | Rafiq Sagar | B Major | 6 | 1B | 103 BPM | ||
| Mhe Mhara Shyam Ka Laadla | Prem Sharma | B♭ Minor | 9 | 3A | 110 BPM | ||
| Piya Mora Leke Aile | Madan Rai | F♯ Major | 7 | 2B | 103 BPM | ||
| Pankhida Lal Achchho Padiyo | Bherusingh Chouhan | F♯ Major | 8 | 2B | 94 BPM | ||
| Sakhi | Suresh Raval, Batuk Maharaj | B Major | 2 | 1B | 141 BPM | ||
| Le Aileen Rangwa Gulaal | Pawan Singh | A♭ Minor | 4 | 1A | 172 BPM | ||
| Uge So Hi Chhip Jae -1 | Prakash Mali | D♭ Major | 5 | 3B | 86 BPM | ||
| Dhwja Lehrave | Shyam Paliwal | C Major | 6 | 8B | 106 BPM | ||
| Bhej Mati Panghat | Gopal Rai | A♭ Major | 6 | 4B | 170 BPM | ||
| Kasturi Bapu No Mahima | Alpa Patel, Suresh Raval | F Major | 8 | 7B | 153 BPM | ||
| Maiya Bani Sukwar | Karina Pandey, Sovita Pandey | E♭ Minor | 8 | 2A | 123 BPM | ||
| Roz Rahiyo Nihaare Nayanva Sajanva | Bharat Sharma Vyas | F Minor | 6 | 4A | 156 BPM | ||
| Bhagtidaan Guru Dijiye | Prakash Gandhi | F♯ Minor | 7 | 11A | 119 BPM | ||
| Meri Baat Ban Gai Hai Teri Bat Karte Karte | Bittu maharaj | G Major | 6 | 9B | 130 BPM | ||
| Dekho Harishchandra | Mathur Kanjariya, Suresh Raval | A Major | 7 | 11B | 98 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM | ||
| Ek Ta Mo Baari Bhori | Madan Rai | C Major | 9 | 8B | 112 BPM | ||
| Chimta Nath Ka | Mukesh Sharma | A♭ Major | 9 | 4B | 99 BPM | ||
| Bani Gailein Jharna Nayanwa | Madan Rai | A Major | 8 | 11B | 87 BPM | ||
| Kahe Narhari | Prakash Mali | F♯ Major | 7 | 2B | 117 BPM | ||
| Aarti Ho Rahi Re | Sanjo Baghel | F Minor | 5 | 4A | 120 BPM | ||
| Pathhar Ki Radha Pyaari | Manoj Sharma Gwalior | C Minor | 9 | 5A | 99 BPM | ||
| Kaya Ne Singar Koyaliya | Moinuddin Manchala | D♭ Major | 7 | 3B | 139 BPM | ||
| Bana Mehfil Me Bethoda Sitar Jo | Sanju Rao, Piyush Jangid, Tushar Thanvi | F Minor | 6 | 4A | 92 BPM |