Craig Ogden's 'Cavatina' had a release date set for May 24, 2011. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Greatest Relaxing Pieces". In this album, this song's track order is #12. Cavatina is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cavatina by Craig Ogden having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
| Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
| Scarborough Fair | Craig Ogden | G Major | 1 | 9B | 131 BPM | ||
| Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
| La cumparsita | London Tango Quintet, David Juritz, Craig Ogden, Miloš Milivojević, David Gordon Trio, Richard Pryce | G Minor | 1 | 6A | 129 BPM | ||
| La catedral: I. Preludio | Agustín Barrios Mangoré, Craig Ogden | B Minor | 0 | 10A | 113 BPM | ||
| Chrysalis | William Lovelady, Craig Ogden | A Major | 1 | 11B | 177 BPM | ||
| Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa | Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 96 BPM | ||
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
| Mozart: Clarinet Concerto In A major, K622 (Adagio) | John Barry | D Major | 0 | 10B | 80 BPM | ||
| Concerto No. 21 in C Major for Piano and Orchestra, K. 467 - "Elvira Madigan": II. Andante | Wolfgang Amadeus Mozart, Euro Symphony Orchestra, Carmen Pazzini | F Major | 0 | 7B | 111 BPM | ||
| Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM | ||
| Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
| Badinerie (Orchestral Suite No. 2 in B Minor, BWV1067) | Craig Ogden, Gareth Davies | B Minor | 3 | 10A | 123 BPM | ||
| Etude Modéré | Heitor Villa-Lobos, Craig Ogden | D Major | 1 | 10B | 124 BPM | ||
| Satie / Orch. Debussy: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Georges Prêtre, Orchestre National De France | G Major | 0 | 9B | 74 BPM | ||
| Two Little Pieces: I. Canticle | Takashi Yoshimatsu, Craig Ogden | D Major | 1 | 10B | 124 BPM | ||
| Pachelbel - Canon In D | Hollywood Symphony Orchestra | D Major | 1 | 10B | 102 BPM | ||
| Grand duo concertant, Op. 85 | Mauro Giuliani, Craig Ogden, Alison Stephens | D Major | 1 | 10B | 84 BPM | ||
| Clarinet Concerto in A Major, K.622, 2nd movement | The Starlite Orchestra & Singers | D Major | 0 | 10B | 80 BPM | ||
| Concerto in C Major, RV 425: II. Largo (Arr. for Guitar and Mandolin) | Antonio Vivaldi, Craig Ogden, Alison Stephens | A Minor | 0 | 8A | 102 BPM | ||
| Klaviersolo in A Major, WoO 10: Barcarolle | Sylvia Capova | F♯ Minor | 0 | 11A | 77 BPM | ||
| Carmen, Act III: Entr'acte (arr. D. Sosin): Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM | ||
| Gymnopédie No. 1 (Arr. for Guitar) | Erik Satie, Craig Ogden | G Major | 0 | 9B | 76 BPM | ||
| Clarinet Concerto in A major, K. 622: Clarinet Concerto in A major, K. 622: II. Adagio | Various Artists, David Shifrin, New York Chamber Symphony, Gerard Schwarz | C Major | 1 | 8B | 92 BPM |