"Turned To Dolls" by Theodore Shapiro had its release date on October 14, 2022. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The School For Good And Evil (Soundtrack from the Netflix Film)". In this album, this song's track order is #16. In terms of popularity, Turned To Dolls is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turned To Dolls by Theodore Shapiro having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dramatic Trailer | FruityAudio | E Minor | 4 | 9A | 132 BPM | ||
| We're Coming For You | Sam Watts | D Major | 4 | 10B | 114 BPM | ||
| Horsemen to the Airfield | David Arnold, Tori Amos | C Major | 5 | 8B | 92 BPM | ||
| Dangerous Woman | Tom Evans, Justas Kulikauskas, Johan Jens Erik Carlsson, Max Martin, Ross Jacob Golan, Power-Haus, Future Cello | C Major | 5 | 8B | 134 BPM | ||
| Cobel At Lumon | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| The Dying Gods | Abel Korzeniowski | G Minor | 4 | 6A | 180 BPM | ||
| Tick Tock Goes the Clock | Jo Blankenburg | E Minor | 1 | 9A | 63 BPM | ||
| Alive | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| Under the Blood-Red Sun | Henry Jackman | D♭ Major | 2 | 3B | 115 BPM | ||
| Grail On Horseback | Daniel Pemberton | C Major | 5 | 8B | 78 BPM | ||
| Quite A Party | Daniel Pemberton | C Major | 5 | 8B | 78 BPM | ||
| Playing Detective | Sam Watts | B♭ Major | 1 | 6B | 96 BPM | ||
| I Am No Longer Hungry | Steven Price | D Major | 1 | 10B | 113 BPM | ||
| Still Vibrating | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| Prodigy | Nathan Lanier | D♭ Major | 3 | 3B | 75 BPM | ||
| Take It Away, Raoul (End Titles) | Joby Talbot | B♭ Major | 3 | 6B | 72 BPM | ||
| We Have Her | Geoff Zanelli | C Minor | 1 | 5A | 73 BPM | ||
| In The Dark of the Night - Epic Version | L'Orchestra Cinematique | E Minor | 7 | 9A | 160 BPM | ||
| A Tale of Cape Mercy | Angela Little | G Minor | 4 | 6A | 178 BPM | ||
| Tolya and Tamar | Joseph Trapanese | D Major | 4 | 10B | 82 BPM | ||
| Knives Out!, Pt. II (The Will) | Nathan Johnson | G Major | 3 | 9B | 113 BPM | ||
| The Merry Dance | Daniel Pemberton | C Major | 5 | 8B | 78 BPM | ||
| Death And Baptism | Nick Cave, Warren Ellis | G Major | 1 | 9B | 110 BPM | ||
| Sky High | Henry Jackman | F♯ Major | 1 | 2B | 67 BPM | ||
| Liaison Theme | Walter Mair | A Minor | 7 | 8A | 126 BPM |