"Méditation in F Major, Op. 33" by Mel Bonis, Raphaela Gromes, Julian Riem had its release date on July 4, 2025. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Méditation in F Major, Op. 33's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Méditation in F Major, Op. 33 and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Méditation in F Major, Op. 33 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Méditation in F Major, Op. 33 by Mel Bonis, Raphaela Gromes, Julian Riem to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hai Luli! | Pauline Viardot, Yo-Yo Ma, Kathryn Stott | A Major | 0 | 11B | 83 BPM | ||
| Farewell to Stromness (Arr. Campbell for Violin, Guitar, Accordion & Cello) | Peter Maxwell Davies, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | D Major | 1 | 10B | 82 BPM | ||
| Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
| 14 Romances, Op. 34: No. 14, Vocalise (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | E Major | 1 | 12B | 123 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | E Minor | 1 | 9A | 73 BPM | ||
| Album de pièces faciles pour la jeunesse: I. Valse. Moderato in G Major | Vladimir Rebikov, Gabriele Bagnati | D Minor | 4 | 7A | 120 BPM | ||
| Harp Concerto in B-Flat Major, HWV 294, Op. 4 No. 6: II. Larghetto | George Frideric Handel, Xavier De Maistre, Lucerne Festival Strings | F Major | 2 | 7B | 155 BPM | ||
| L.B. Files: Igiul | Abel Selaocoe, Manchester Collective | F Major | 1 | 7B | 111 BPM | ||
| Die tote Stadt, Op. 12: Glück, das mir verblieb "Mariettas Lied" (Perf. on Violin) | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | B♭ Major | 2 | 6B | 91 BPM | ||
| 3 Compositions for Violin and Piano, Op. 40: No. 2, Berceuse, Op. 40: No. 2, Berceuse | Amy Beach, Alessandro Clerici, Elena Brunello | D Major | 0 | 10B | 73 BPM | ||
| 5 Stücke im Volkston, Op. 102: No. 2, Langsam | Robert Schumann, Gabriel Schwabe, Nicholas Rimmer | F Major | 0 | 7B | 173 BPM | ||
| Suite for Cello and String Orchestra. II. Aria | Victoria Yagling, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | F Major | 1 | 7B | 89 BPM | ||
| Reflection No. 1 (Paix - Shanti) | Camille Thomas, Julien Brocal | D Minor | 2 | 7A | 155 BPM | ||
| Les contes d'Hoffmann: Barcarolle (Arr. for 2 Cellos and Piano) | Jacques Offenbach, Raphaela Gromes, Wen-Sinn Yang, Julian Riem | D Major | 1 | 10B | 132 BPM | ||
| Brussels Encore (Arr. by Tim Wood) | Keith Jarrett, François Mardirossian | F Major | 0 | 7B | 62 BPM | ||
| Dolomites, pale mountains: I. Marmolada | Rachel Portman, LGT Young Soloists, Alexander Gilman | G Major | 0 | 9B | 86 BPM | ||
| Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | ||
| Femmes de légende: III. Salomé | Mel Bonis, Orchestre national de Metz, David Reiland | D♭ Major | 0 | 3B | 131 BPM | ||
| The Swallow | Rachel Portman, Niklas Liepe | D Minor | 2 | 7A | 88 BPM | ||
| Norma, Act I Scene 1: Casta Diva (Arr. for Piano by Justin Taylor) | Vincenzo Bellini, Justin Taylor | F Major | 0 | 7B | 69 BPM | ||
| 7 Canciones populares españolas: No. 3, Asturiana (Transcr. Llobet & Pujol for Violin & Guitar) | Manuel de Falla, Randall Goosby, Plínio Fernandes | F♯ Minor | 1 | 11A | 87 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied | Fanny Mendelssohn, Trio Zadig | D Major | 1 | 10B | 101 BPM | ||
| Arpeggione Sonata in A Minor, D. 821: II. Adagio (Transcr. Ottensamer for Clarinet and Piano) | Franz Schubert, Andreas Ottensamer, José Gallardo | F♯ Major | 0 | 2B | 69 BPM | ||
| Piano Sonata in F-Sharp Minor, D. 571: I. Allegro moderato (Completed by Martin Helmchen) | Franz Schubert, Martin Helmchen | A Major | 1 | 11B | 75 BPM | ||
| Für Anna Maria | Georgijs Osokins, Arvo Pärt | G Major | 0 | 9B | 68 BPM |