Elliott Sharp, Mary Halvorson, Marc Ribot's 'Oronym' had a release date set for May 19, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 12 in Err Guitar by Elliott Sharp. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Oronym's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oronym by Elliott Sharp, Mary Halvorson, Marc Ribot is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nowhere (For Bob Moses), Pt. 1 | Michael Gibbs | F Minor | 5 | 4A | 200 BPM | ||
| What Do You Know About Music, You're Not A Lawyer | John Lurie | B♭ Major | 2 | 6B | 129 BPM | ||
| Graffiti Composition 1 | Christian Marclay, Melvin Gibbs, Mary Halvorson, Vernon Reid, Lee Ranaldo, Elliott Sharp | C Major | 7 | 8B | 131 BPM | ||
| Graffiti Composition 5 | Christian Marclay, Melvin Gibbs, Mary Halvorson, Vernon Reid, Lee Ranaldo, Elliott Sharp | A Minor | 3 | 8A | 82 BPM | ||
| Falling Machine | Miles Spread | B♭ Major | 3 | 6B | 89 BPM | ||
| Regalame una cita | JhosmelCruz | G Major | 5 | 9B | 88 BPM | ||
| Array | Elliott Sharp, Sally Gates, Tashi Dorji | A Major | 7 | 11B | 138 BPM | ||
| Drum Mode | Gray | E Minor | 2 | 9A | 191 BPM | ||
| Five Might Slip | Evan Shornstein, Will Epstein | D♭ Major | 2 | 3B | 68 BPM | ||
| Unionen | Unionen | A Minor | 3 | 8A | 123 BPM | ||
| Cells 9-11 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Lost Continent | Jozef Van Wissem and Jim Jarmusch, Jozef Van Wissem, Jim Jarmusch | A Minor | 1 | 8A | 129 BPM | ||
| Sink or Swim | Elliott Sharp | D♭ Major | 4 | 3B | 120 BPM | ||
| Ouverture | Robin Coudert | G Major | 0 | 9B | 139 BPM | ||
| Cangri | Harachiko | B Major | 3 | 1B | 97 BPM | ||
| East Broadway Blues | Hubert Sumlin, Calvin "fuzz" Jones, Elliott Sharp, S.P. Leary | F♯ Minor | 6 | 11A | 168 BPM | ||
| Mindblown | Bever | B Major | 3 | 1B | 97 BPM | ||
| Clockwork Daily | Black Smoke | B Major | 3 | 1B | 97 BPM | ||
| Untitled - Part 1 | Jim Staley, Elliott Sharp, Wayne Horvitz | D♭ Minor | 2 | 12A | 122 BPM | ||
| la noche | NOTARL | G Major | 3 | 9B | 70 BPM | ||
| Yoo Doo Right | Masaki Batoh | C Major | 4 | 8B | 92 BPM | ||
| Crack Alley Blues (feat. Elliott Sharp & Kenny Aaronson) | Floyd Lee, Elliott Sharp, Kenny Aaronson | A♭ Major | 5 | 4B | 71 BPM | ||
| WW1 | Evan Parker | A♭ Minor | 3 | 1A | 69 BPM | ||
| Truck | REED | A Major | 1 | 11B | 132 BPM | ||
| Travel | The Lounge Lizards | B♭ Minor | 0 | 3A | 75 BPM |